Wendy – first look review | Little White Lies

Festivals

Wendy – first look review

29 Jan 2020

Words by Ege Apaydın

Young child with curly hair in a dark room, illuminated by a torch or other light source, looking pensive.
Young child with curly hair in a dark room, illuminated by a torch or other light source, looking pensive.
The direc­tor of Beasts of the South­ern Wild returns with a nov­el if under­whelm­ing take on the Peter Pan fable.

After pre­mier­ing at Sun­dance in 2012, Benh Zeitlin’s debut fea­ture Beasts of the South­ern Wild went on to receive four Acad­e­my Award nom­i­na­tions, includ­ing Best Direc­tor. Audi­ences have been eager­ly wait­ing for Zeitlin’s return for a long time, and in some ways it’s fit­ting that he’s come back to Sun­dance with his fairy tale fol­low-up, Wendy.

This is a reimag­in­ing of Peter Pan told from the point of view of his female com­pan­ion. But instead of an Edwar­dian mid­dle-class house­hold, Wendy has a sin­gle moth­er who works at a din­er. She, her broth­ers John and Michael, and the neigh­bour­hood kids run around in dirt and play at the train tracks that run along­side their home. Just like in the orig­i­nal sto­ry, Wendy sees a sil­hou­ette of Peter at night and fol­lows him with her broth­ers, but instead of fly­ing, they take the train.

Group of people on rocky coastal cliff, surrounded by trees against a cloudy sky.

Adapt­ing a cher­ished fable is tall order any direc­tor. Still, after the suc­cess of Beasts, one would think that Zeitlin would be per­fect­ly placed to take on this clas­sic child­hood adven­ture. Unfor­tu­nate­ly Wendy fails to live up to expec­ta­tions. Though the film con­tains some mes­meris­ing visu­als, the sto­ry does not cor­re­spond to the mag­i­cal images on screen. Dan Romer’s score repeat­ed­ly sug­gests that there is some­thing sig­nif­i­cant and emo­tion­al is unfold­ing, but the film falls flat time and again. It’s a slow build-up to nothing.

One redeem­ing qual­i­ty is the young cast. Just like Quven­zhané Wal­lis in Beasts, Zeitlin casts an unknown in the role of Pan, a Rasta­far­i­an Antiguan actor by the name of Yash­wa Mack. His per­for­mance is nat­ur­al and ani­mat­ed, with a con­fi­dence that jumps off the screen. In the lead role, Devin France is like calm to Antigua’s storm; lev­el-head­ed yet live­ly and curi­ous. Some of the best moments in the film are when Wendy is watch­ing or lis­ten­ing to Pan. France’s inquis­i­tive expres­sions mim­ic that of a child who is expe­ri­enc­ing some­thing for the first time.

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