by Charles Bramesco
He’s leading today’s wave of announcements concerning the ‘LFF Expanded’ programme of immersive art forms.
by Xuanlin Tham
A young woman with a difficult home life discovers Riga’s rave scene in Matiss Kaza’s fourth feature.
The trials and tribulations of one couple’s relationship are under the microscope in Devorah Baum and Josh Appignanesi’s frustrating documentary.
Lam Sum’s Hong Kong-set Covid drama is tender but lacks incisiveness when it comes to the pandemic.
by David Jenkins
Helena Wittman’s extraordinary seafaring anti-epic is a prime contender for the big prize at the 2022 Locarno Film Festival.
Debut director Julie Lerat-Gersant offers up a vivid character study of a pregnant teen who’s adamant to give up her baby.
Alexander Sokurov offers a collegial walking tour through limbo with Hitler, Mussolini, Stalin and Churchill. It’s completely mad.
by Isabel Jacobs
Armenia’s flagship film festival provided a platform for filmmakers to reflect on various wars, although there were some curious absences.
The Lido will be perfectly happy to host the buzzy Netflix films banned from Cannes.
Luca Guadagnino, Andrew Dominik, Olivia Wilde, and many others are rumored to be locks for the Lido.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.