Festivals

Group of hikers walking on rocky, grassy trail with dog.
Festivals

The Love That Remains – first-look review

by Mark Asch

Hlynur Pálmason's close-to-home new dramedy documents a year in the life of a family following the parents' separation.
Three young men in casual clothing, one smiling broadly, engaged in lively conversation.
Festivals

Météors – first-look review

by Yasmine Kandil

A reckless act of youthful troublemaking sends two best friends on a downward spiral in Hubert Charuel's drama.
A person leaning on a window frame, looking out at the overcast outdoor scene.
Festivals

Urgency and ambition in Cannes Acid 2025

by Mark Asch

There are hidden gems ripe for discovery in the youngest and smallest Cannes sidebar.
A man with a beard wearing a white shirt and holding a red telephone in front of a wall covered with old newspaper clippings.
Festivals

The Secret Agent – first-look review

by Rafa Sales Ross

An undercover agent discovers he can't escape his troubled past in Kleber Mendonça Filho's gripping new drama about the height of Brazil's military dictatorship.
Three African men seated in a dimly lit stall, wearing casual clothing. The men appear to be in conversation, with the younger ones looking up at the older man.
Festivals

My Father’s Shadow – first-look review

by David Jenkins

Akinola Davies Jr announces himself as the real deal with this mightily impressive and affecting debut.
A woman in profile, with blonde hair, against a dark background.
Festivals

Die, My Love – first-look review

by Hannah Strong

Lynne Ramsay finds a kindred spirit in Jennifer Lawrence, joining forces for a blistering portrait of a woman on the verge of a nervous breakdown.
Exterior of a cafe, two men sitting at a table in the foreground, one wearing a suit and the other a checkered shirt, text 'A bout de Souffle' on the storefront awning.
Festivals

New Wave – first-look review

by Sophie Monks Kaufman

Richard Linklater's homage to the filming of Jean-Luc Godard's Breathless brings precious little new to the story of the New Wave.
Two men standing outdoors at night, one in a jacket, the other in a casual shirt, under twinkling lights.
Festivals

Pillion – first-look review

by Hannah Strong

A meek young traffic warden embarks on a sexual odyssey with a taciturn biker in Harry Lighton's loose adaptation of Adam Mars-Jones' Box Hill.
Young woman in green jacket, thoughtful expression, dark hair and eyes.
Festivals

Renoir – first-look review

by Iana Murray

An 11-year-old girl attempts to find a way to cope with her father's death in Chie Hayakawa's second feature.
Two individuals, possibly actors, seated in a red convertible car against a rural backdrop.
Festivals

Miroirs No. 3 – first-look review

by David Jenkins

German director Christian Petzold delivers once again with this deviously-structured psychodrama starring his current muse, Paula Beer.

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