What to see at New Horizons Film Festival 2017 | Little White Lies

Festivals

What to see at New Hori­zons Film Fes­ti­val 2017

20 Jul 2017

Words by Matt Thrift

A woman wearing glasses, sitting on a chair and looking pensive.
A woman wearing glasses, sitting on a chair and looking pensive.
Poland’s biggest art­house extrav­a­gan­za returns with a spe­cial trib­ute to Jacques Rivette.

One of our favourite film fes­ti­vals returns next month – a lit­tle lat­er than usu­al this year – to the Kino Nowe Hory­zon­ty in Wrocław, Poland. The best oppor­tu­ni­ty to catch up with world cinema’s heavy-hit­ters this side of Cannes, the New Hori­zons pro­gramme is known for its gen­eros­i­ty of oppor­tu­ni­ty, and this year’s selec­tion might just be the most epic yet – at least in terms of the sheer num­ber of films on offer.

We’ve bare­ly begun to plot a path through the sched­ule, those deci­sions on whether to attack entire strands en masse or try for a lit­tle of every­thing we’re sav­ing for the flight over. There’s still time to make plans for a cheeky week­end (or full ten days) of cin­e­mat­ic binge­ing, with flights and accom­mo­da­tion avail­able all-in for less than the aver­age night on the town. While half the fun of the fes­ti­val-going expe­ri­ence lies in those films acci­den­tal­ly stum­bled on, we’ve got our eyes on a few things we cer­tain­ly won’t want to miss.

Known for its bril­liant­ly thor­ough ret­ro­spec­tives, usu­al­ly screened from 35mm prints on enor­mous screens, New Hori­zons turns this year to the films of Jacques Riv­ette. While the cen­tre­piece for the adven­tur­ous will like­ly prove his 12 hour 1971 opus, Out 1, the biggest draw remains the ultra-rare screen­ing of his unavail­able 1969 mas­ter­piece, L’amour fou. At a mere four hours, it’s small-change com­pared to Out 1, but the films make for a mes­meris­ing dou­ble – espe­cial­ly if you take the chance to catch his debut, Paris Belongs to Us first. Not that you should stop there, espe­cial­ly giv­en the chance to see La Belle Noiseuse on the big screen.

Best known as Béla Tarr’s reg­u­lar cin­e­matog­ra­ph­er, Fred Kele­men has also amassed a body of work as direc­tor that’s nev­er been espe­cial­ly easy to see. As part of their sec­ond major ret­ro­spec­tive this year, the fes­ti­val will be screen­ing six of Kelemen’s fea­tures along­side his work for Tarr. We’re espe­cial­ly look­ing for­ward to his 1997 film, Frost, even if – like so many of the Riv­ette films – at four hours, find­ing time to see much else is look­ing increas­ing­ly difficult.

This strand is a ter­rif­ic idea, one ded­i­cat­ed to films that have played the fes­ti­val cir­cuit in recent years before van­ish­ing into the ether. Giv­en the impos­si­bil­i­ty of catch­ing every­thing at a giv­en film fes­ti­val, it’s great to see films that have fall­en by the dis­tri­b­u­tion-way­side giv­en anoth­er lease of life. As befits the strand’s brief, all (bar Jaime Ros­ales excel­lent Dream and Silence) are new to us. Some­times it’s best to sim­ply put your faith in the pro­gram­ming and dive in, with­out even a glance at the pro­gramme notes.

With the Lon­don Film Fes­ti­val still sev­er­al months away, here’s an ear­ly chance to catch some of the year’s biggest inter­na­tion­al titles. All the major prize-win­ners are present and cor­rect from Palme d’Or win­ner The Square to Grand Prix recip­i­ent 120 Beats per Minute. Andrey Zvyagintsev’s Love­less plays along­side Michael Haneke’s Hap­py End, while the likes of Kornél Mundruczó, Lav Diaz, François Ozon and the mag­nif­i­cent Philippe Gar­rel all have their new films play­ing over the course of the festival.

The 17th T‑Mobile New Hori­zons Films Fes­ti­val runs from 3 – 13 August in Wrocław, Poland. Check out the full pro­gramme at nowe​ho​ry​zon​ty​.pl

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