by Tyler Thier
This Halloween, no body horror fiction can compare to the haunting revelations of Brakhage’s 32-minute film The Act of Seeing with One’s Own Eyes.
by James Balmont
The director of the cult classic Korean wave sci-fi comedy reflects on his wild debut two decades on, and the forthcoming remake from Yorgos Lanthimos.
by Rógan Graham
The maker of the remarkable prizewinning docu-essay hybrid, Dahomey, on the film’s urgent anti-colonial message.
by Sophie Monks Kaufman
The latest short film from the independent animation legend is an elusive oddity even by Don Hertzfeldt’s standards.
by Ami Guest
Belfast’s Strand cinema is a gorgeous relic from a bygone era – but as the picturehouse closes its doors for a much-needed renovation, the team have relocated to an old shopping centre.
by Daniel Glassman
Following a short run at Barbican Centre, Amos Gitaï’s landmark film series turned theatre production charts the history of a single house in West Jerusalem and what it reveals about Israel and Palestine.
by Henry Boon
As Smile 2 hits cinemas, we delve into what it takes to create a musician for the silver screen.
by Taylor Burns
As Pulp Fiction turns 30, we take a closer look at one of cinema’s finest supporting players.
by Yasmin Vince
She might not be as well known as Keira Knightley or Jennifer Ehle, but Aishwarya Rai lights up the screen in Gurinder Chadha’s 2004 Austen adaptation.
by Simon Bland
Two decades ago, a grim Northern revenge western starring Paddy Considine as a man on the war path shocked audiences and made Shane Meadows one to watch out for. He reflects on the long legacy of Dead Man’s Shoes.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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