by Hannah Strong
Julia Ducournau’s sensational second feature offers an intoxicating mix of grease, gore and gasoline.
by Adam Solomons
Asghar Farhadi’s exceptional Iran-centred drama is a soulful reflection on the morality of crime.
by Mark Asch
Kirill Serebrennikov’s delirious latest offers a strikingly singular vision of life in post-Soviet Russia.
by David Jenkins
Arnaud Desplechin judiciously adapts Philip Roth’s verbose 1990 novel about an adulterous author.
Ari Folman’s animated retelling of the wartime diarist’s tragic story falls foul of some questionable artistic license.
by Sophie Monks Kaufman
A masterful dissection of love, memory and autobiography from the ever-wonderful French maestro, Mia Hansen-Løve.
Wes Anderson’s star-studded, multi-chaptered tribute to The New York is his most impressionistic work to date.
by Daisy Bata
The UK government’s Culture Recovery Fund has disproportionately favoured larger cultural and media institutions.
by Charles Bramesco
She embarks on an existential quest in the latest feature from Thai great Apichatpong Weerasethakul.
Oliver Stone is at his most conspiracy-minded in this entertaining but outlandish doc on the JFK assassination.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.