Movie News, Interviews, Features | Little White Lies

Features

Crowd of people watching from hillside as group gathers around white tent in valley below, surrounded by green vegetation.
Venice Film Festival

Landmarks – first-look review

by Catherine Bray

Lucrecia Martel’s years-in-the-making documentary about the murder of an Indigenous Argentinian man starkly lays out the rigged justice system in her homeland. 
Two people in winter hats and coats face each other on snowy city street with blurred buildings and warm lights in background.
Venice Film Festival

Late Fame – first-look review

by Hannah Strong

Kent Jones’ comedy about a long-in-the-tooth poet achieving recognition for a book he wrote in his youth talks a lot but doesn’t say anything.
Man in dark suit speaking on phone in formal interior setting, with blurred figure in background.
Venice Film Festival

The Wizard of the Kremlin – first-look review

by Rafa Sales Ross

Olivier Assayas’ mad and maddening take on the mastermind behind Putin never quite lands a proper punch.
Black and white image of person in dark clothing holding bright light source, standing against textured ceiling background.
Venice Film Festival

Ish – first-look review

by Hannah Strong

Imran Perretta’s feature debut bursts with life thanks to its magnificent central performances. 
Woman and child embracing in garden with brick wall, green foliage, and wooden table in background.
Venice Film Festival

No Other Choice – first-look review

by Hannah Strong

Park Chan-wook’s cutthroat satire sees a middle manager resort to desperate measures after he’s laid off from his job at a paper company.
Man in glasses and suit jacket sits at desk with feet up, hand to chin, telephone and papers visible. Black and white image.
Venice Film Festival

Cover-Up – first-look review

by Sophie Monks Kaufman

Laura Poitras and Mark Obenhaus’ searing chronicle of global atrocities as uncovered by dogged investigative reporting veteran, Sy Hersh.
Man with curly hair in white shirt and dark waistcoat holds small object, smiling on stage with blue lighting and audience in background.
Venice Film Festival

Frankenstein – first-look review

by Hannah Strong

Guillermo del Toro achieves his life-long dream, adapting Mary Shelley’s Frankenstein with resplendent results.
Two men walking outdoors, one in dark leather jacket carrying clothing, other in green jacket and pink cap, mountains in background.
Venice Film Festival

Rose of Nevada – first-look review

by Rafa Sales Ross

Mark Jenkin’s third feature film, starring George MacKay and Callum Turner as fishermen whose lives go awry, is a moving tale of personal versus communal sacrifice.
Man in dark green shirt stands behind blonde woman in light blue jumper with white collar in modern kitchen with exposed brick wall.
Venice Film Festival

After the Hunt – first-look review

by Hannah Strong

Luca Guadagnino’s knotty psychodrama confronts our most selfish impulses against the backdrop of a Yale University scandal.
Elephant with white tusks grazing in tall grass, captured in black and white night vision with dark background.
Venice Film Festival

Ghost Elephants – first-look review

by Leila Latif

Werner Herzog peers into the Angolan highlands in search of colossal elephants, and ends up gently reflecting on the ghosts of human longing.

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