by Hannah Strong
Noah Baumbach’s new dramedy isn’t breaking new ground, but it’s a charming, wistful take on what lies beneath the myth of celebrity.
Yorgos Lanthimos’ stylish and sardonic take on the Korean sci-fi caper Save The Green Planet! defies the remake odds.
by Marshall Shaffer
Despite a compelling scenario, the characters in László Nemes’s third feature feel more like stand-ins for ideas than flesh-and-blood people.
by David Jenkins
Paolo Sorrentino’s latest tries to recapture the unruly political bite of his early films, with mixed results.
by Hugo Emmerzael
The final film in the iconic franchise celebrates its 15th anniversary this year. Although critically reviled, it serves as a fascinating timecapsule of the early 2010s.
Take an adventure through the eclectic career of artist and performer Tilda Swinton in our special issue.
by Sonya Vseliubska
One of the most distinctive actors of his generation has made unabashed commitment to his craft his signature – in Ari Aster he might have met his match.
by Gabrielle Sicam
Don’t listen to the naysayers – there’s nothing more romantic than the dark of the matinée.
by Sophie Monks Kaufman
The writer/director/star of festival sensation, Sorry, Baby, on bellybutton piercings and finding a sombre humour and reflection in the subject of sexual abuse.
A dispatch from a passionate grassroots project over in Finsbury Park.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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