Jodie Foster swings for the Wall Street fat cats and misses by miles in this thin thriller which premiered in Cannes.
By Lewis Bazley
At its best The Beaver is deftly handed and genuinely moving but too often it’s jarring and disjointed.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
