By David Jenkins
David Fincher’s trash procedural for the Twitter age taunts, tickles and, ultimately, terrifies.
By Adam Woodward
David Fincher can only slather high-grade attention-grabbing gloss onto Stieg Larsson’s crude pseudo-feminist turd.
By Jonathan Williams
The Social Network may not have the impact on the world that Facebook has, but when the story is told this well, it doesn’t have to.
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Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
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