Cannes Film Festival | Little White Lies

Cannes Film Festival

Festivals

American Honey – first look review

by Sophie Monks Kaufman

Despite its frenetic energy and fine young leads, Andrea Arnold’s film never manages to rise above mediocrity.
Festivals

The Unknown Girl – first look review

by David Jenkins

Adèle Haenel turns amateur sleuth as the Dardenne brothers try their hand at the murder-mystery genre.
Festivals

Hell or High Water – first look review

by Manuela Lazic

This blustery neo-western from British director David Mackenzie relishes taking potshots at capitalism.
Festivals

Personal Shopper – first look review

by David Jenkins

An all-in Kristen Stewart performance is the lifeblood of Olivier Assayas’ bold, contemporary ghost story.
Festivals

Julieta – first look review

by David Jenkins

Pedro Almodóvar is back to his peak with this sumptuous and remarkably subtle Cannes competition entry.
Festivals

Raw – first look review

by Ed Frankl

Julia Ducournau’s French campus cannibal horror serves up plenty of food for thought.
Festivals

Loving – first look review

by Sophie Monks Kaufman

Jeff Nichols makes it five-for-five with this gently stirring drama about an interracial couple in ​’50s America.
Festivals

From the Land of the Moon – first look review

by Sophie Monks Kaufman

Marion Cotillard shines in this uneven but soulful meditation on marriage and depression.
Festivals

Paterson – first look review

by David Jenkins

Another stunner from Jim Jarmusch starring Adam Driver as a bus driver who pines for a life of poetry.
Festivals

My Life as a Courgette – first look review

by Elena Lazic

This stunning stop-motion animation set in an orphanage is as witty and insightful as it is quietly shocking.

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