by David Jenkins
One of the great Cannes competition films of recent years comes from a little-known German director.
by Sophie Monks Kaufman
The great Pablo Larraín delivers a stirring, soaring portrait of Chile’s most treasured poet.
Director Bruno Dumont invites us on a French sea-side holiday with a macabre twist.
by Sarah Jilani
The Cannes Film Festival is slowly but surely setting out to promote gender equality, and others will follow.
Ken Loach returns to Cannes with a ranty anti-government, anti-bureaucracy screed. Not all of it lands.
French director Alain Guiraudie follows up Stranger by the Lake with another alluring and elliptical thriller.
One of the progenitors of the Romanian New Wave returns to the Cannes competition with a rambling family drama.
Despite an effervescent Kristen Stewart, Woody Allen’s frothy period comedy fails to deliver a coherent message.
by Jen Grimble
How a 33-year-old Martin Scorsese shook the film world when he brought his nihilistic neo-noir to Cannes.
by Alex Chambers
Cannes-bound Wrong Elements revisits this highly controversial figure.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.