Anne Hathaway gets political in the trailer for… | Little White Lies

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Anne Hath­away gets polit­i­cal in the trail­er for Dee Rees’ latest

23 Jan 2020

Words by Charles Bramesco

Serious-faced woman with windswept blonde hair wearing a green military-style jacket.
Serious-faced woman with windswept blonde hair wearing a green military-style jacket.
The Last Thing He Want­ed will open at Sun­dance before hit­ting Netflix.

When a per­son wants to see a heart­en­ing sign­post of indus­try change in Hol­ly­wood, they look to Dee Rees. She’s attained great suc­cess, not just as a film­mak­er in her own right but as a black woman nav­i­gat­ing a white-dom­i­nat­ed indus­try, and she has the Oscar nom­i­na­tion to prove it. Her most recent fea­ture, Mud­bound, net­ted a nod for Best Adapt­ed Screen­play in 2018.

Her lat­est, The Last Thing He Want­ed, is one of the buzzi­er titles at this year’s Sun­dance Film Fes­ti­val. But those of us not cur­rent­ly freez­ing our buns off in Park City may share in the antic­i­pa­tion today, as Net­flix has uploaded a trail­er in advance of the release online next month.

Adapt­ed from a nov­el by Joan Did­ion, the film stars Anne Hath­away as an embed­ded reporter who recon­nects with her long-estranged father (Willem Dafoe), only to learn that dear old dad has turned arms deal­er in the inter­im years. She agrees to do him one favor out of daugh­ter­ly guilt, which quick­ly whirl­winds into a inter­na­tion­al weapons con­tract far exceed­ing her control.

As she con­tends with Amer­i­can author­i­ties (rep­re­sent­ed by Ben Affleck as a char­ac­ter named Treat Mor­ri­son, and you’re wel­come for that infor­ma­tion), spies from her rivals, and oth­er oppo­nents that wish her dead, she will osten­si­bly go through the uni­ver­sal adult-child process of learn­ing what sort of peo­ple your par­ents real­ly were. At the very least, we’ll get to watch her flinch while frag­men­ta­tion grenades explode, like we’re in a gen­der-flipped and bet­ter-writ­ten ver­sion of War Dogs.

As promis­ing as the prospect of a new film from Rees may be, ear­ly signs haven’t exact­ly been encour­ag­ing. Rumors say that Net­flix scut­tled the film from a TIFF pre­mière last year to Sun­dance, and the qui­et Feb­ru­ary release so soon after the fes­ti­val doesn’t inspire much hope either. But hey, it wouldn’t be the first time that a stu­dio had buried a per­fect­ly fine movie out of a lack of con­fi­dence, so who knows?

The Last Thing He Want­ed comes to Net­flix on 21 February.

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