Based inside various hospitals across the UK, MediCinema recognises the power of movies for people undergoing medical treatment.
Dismissed as inferior by dedicated print enthusiasts yet a mainstay of cinemas around the world – we talk to cinema workers about the pros and cons of digital as a format.
A new exhibition at the ICA explores the role of typography in Jean-Luc Godard's filmography.
Despite less than 2% of Ireland speaking the language on a daily basis, more and more filmmakers are showing an interest in how Gaeilge can be incorporated into cinema.
The comic-cum-filmmaker is Mike Leigh for the digital age.
By Cat Searcey
In his stop-motion adaptation of Roald Dahl's classic caper, Wes Anderson highlights the necessity of overcoming a fear of change.
In two of 2024's best films – Bird and On Becoming A Guinea Fowl – reality blurs with fantasy when the world becomes too cruel to stand.
With screen-to-stage adaptations popping up in the West End every week, what's caused the theatre world to rely so heavily on cinema for source material?
By Chloe Walker
One of the greatest actors of all time found a compelling niche starring in some of the decade's zaniest high-concept thrillers.
By Emma Cieslik
A crucial tool for visually impaired cinema lovers yet often undervalued by the industry, it's about time that audio description's worth is heard.
Erika Lust's C*m With Me tour celebrates 20 years of the filmmaker's work, but how can welcoming porn back into cinemas challenge audience attitudes?
By Tyler Thier
This Halloween, no body horror fiction can compare to the haunting revelations of Brakhage's 32-minute film The Act of Seeing with One's Own Eyes.
The latest short film from the independent animation legend is an elusive oddity even by Don Hertzfeldt's standards.
By Ami Guest
Belfast's Strand cinema is a gorgeous relic from a bygone era – but as the picturehouse closes its doors for a much-needed renovation, the team have relocated to an old shopping centre.
Following a short run at Barbican Centre, Amos Gitaï's landmark film series turned theatre production charts the history of a single house in West Jerusalem and what it reveals about Israel and Palestine.
By Henry Boon
As Smile 2 hits cinemas, we delve into what it takes to create a musician for the silver screen.
By Taylor Burns
As Pulp Fiction turns 30, we take a closer look at one of cinema's finest supporting players.
By Yasmin Vince
She might not be as well known as Keira Knightley or Jennifer Ehle, but Aishwarya Rai lights up the screen in Gurinder Chadha's 2004 Austen adaptation.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
