By Chloe Walker
One of the greatest actors of all time found a compelling niche starring in some of the decade's zaniest high-concept thrillers.
By Emma Cieslik
A crucial tool for visually impaired cinema lovers yet often undervalued by the industry, it's about time that audio description's worth is heard.
Erika Lust's C*m With Me tour celebrates 20 years of the filmmaker's work, but how can welcoming porn back into cinemas challenge audience attitudes?
By Tyler Thier
This Halloween, no body horror fiction can compare to the haunting revelations of Brakhage's 32-minute film The Act of Seeing with One's Own Eyes.
The latest short film from the independent animation legend is an elusive oddity even by Don Hertzfeldt's standards.
By Ami Guest
Belfast's Strand cinema is a gorgeous relic from a bygone era – but as the picturehouse closes its doors for a much-needed renovation, the team have relocated to an old shopping centre.
Following a short run at Barbican Centre, Amos Gitaï's landmark film series turned theatre production charts the history of a single house in West Jerusalem and what it reveals about Israel and Palestine.
By Henry Boon
As Smile 2 hits cinemas, we delve into what it takes to create a musician for the silver screen.
By Taylor Burns
As Pulp Fiction turns 30, we take a closer look at one of cinema's finest supporting players.
By Yasmin Vince
She might not be as well known as Keira Knightley or Jennifer Ehle, but Aishwarya Rai lights up the screen in Gurinder Chadha's 2004 Austen adaptation.
Joker, Art, Pennywise – has cinema's crop of creepy clowns had a lasting impact on their real-life counterparts? We spoke to some clowns to get the truth.
Pick up our fully-illustrated print deep-dive into the world of Andrea Arnold and her scintillating new film, Bird.
By Tom Joudrey
Twenty years ago, Gregg Araki's haunting indie film showed how trauma can spiral into conspiracy theories and self-sabotage. Author Scott Heim and actor Bill Sage reflect on their experiences making this cult favourite.
By Riley Rogers
A decade after its release, David Fincher's thrilling adaptation of Gillian Flynn's novel about a woman scorned retains its unnerving power.
By Niamh Dunne
They look bad, they sound bad, and sometimes directors won't even admit they've made a musical at all. What on earth is happening to this once lucrative genre?
As Shaun of the Dead turns 20, we chart the steady decline of humour in mainstream British filmmaking.
As Saoirse Ronan stars in The Outrun, we examine how her debut as a child star has landed her a continued presence in the coming-of-age genre.
By Rógan Graham
Nestled beneath a railway arch in Brixton, a group of curators and community activists come together to share cinema free of prohibitive ticket prices and think beyond the constraints of the British film industry.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
