Here's the second half of our annual preview, featuring upcoming films from Lynne Ramsay, Bong Joon-ho and many more.
We've put together our annual preview of some exciting films to look out for in the next year.
By Taylor Burns
As Timothée Chalamet stars in A Complete Unknown, we assess Bob Dylan's idiosyncratic on-screen presence.
We reveal 30 of our favourite films from this year, including some old favourites and new faces.
As he plays Count Orlok in Robert Eggers' Nosferatu, we examine the qualities that make Bill Skarsgård a compelling villain.
By Ben Smoke
In honour of the legendary fuzzy take on Dickens' Christmas story, we offer up 10 films that could do with a puppet makeover.
Step away from the budget bath set – we've got all your film fan gift ideas covered.
We celebrate the awesome power of RaMell Ross’s masterful, audacious adaptation of a Pulitzer Prize-winner.
With a screen career dating back to 1961, the groundwork for Dench's most famous roles was laid in some of her early appearances.
With the beginning of the noughties now over two decade ago, we're entering a new era for nostalgia – but how do filmmakers crack the code?
Based inside various hospitals across the UK, MediCinema recognises the power of movies for people undergoing medical treatment.
Dismissed as inferior by dedicated print enthusiasts yet a mainstay of cinemas around the world – we talk to cinema workers about the pros and cons of digital as a format.
A new exhibition at the ICA explores the role of typography in Jean-Luc Godard's filmography.
Despite less than 2% of Ireland speaking the language on a daily basis, more and more filmmakers are showing an interest in how Gaeilge can be incorporated into cinema.
The comic-cum-filmmaker is Mike Leigh for the digital age.
By Cat Searcey
In his stop-motion adaptation of Roald Dahl's classic caper, Wes Anderson highlights the necessity of overcoming a fear of change.
In two of 2024's best films – Bird and On Becoming A Guinea Fowl – reality blurs with fantasy when the world becomes too cruel to stand.
With screen-to-stage adaptations popping up in the West End every week, what's caused the theatre world to rely so heavily on cinema for source material?
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
