In Heaven Everything Is Fine

Desire Wore Blue Velvet

By Jourdain Searles

Jourdain Searles reflects on the power dynamics at play in David Lynch's seductive 1986 thriller.

The monstrous and the tender in The Elephant Man

By Christina Newland

Christina Newland explores the rhythms of David Lynch's take on the life of Joseph Merrick.

An endless summer with Twin Peaks: The Return

By Mark Asch

Mark Asch recalls the sultry summer of 2017, when Dale Cooper returned to television and the world was forever changed.

Dreaming of Lost Highway

By Sophie Monks Kaufman

Sophie Monks Kaufman recalls a strange vision in the nighttime and the haunting nature of David Lynch's 1997 neo-noir.

Light in the darkness: David Lynch’s Dune

By Marina Ashioti

David Lynch's one-time adventure in Hollywood blockbuster filmmaking would forever change him – but not his heart.

Women in trouble: On Inland Empire

By Esther Rosenfield

Throughout his career – though perhaps nowhere so much as in Inland Empire – David Lynch carved out a space for powerful depictions of women in crisis.

A trip down to DumbLand

By Esmé Holden

David Lynch's little-seen cartoon series about an angry man named Randy couldn't be more pertinent.

Love in the land of Twin Peaks

By Juan Barquin

Mark Frost and David Lynch's beloved television series is a testament to the greatest power human beings have.

Personal freedom in Wild at Heart

By Kathryn Bromwich

A snakeskin jacket stands for so much in David Lynch's lurid fairytale Wild at Heart.

Laura longs for an angel: On Twin Peaks: Fire Walk With Me

By Willow Catelyn Maclay

Willow Catelyn Maclay reflects on the lonely last days of Laura Palmer in David Lynch's Twin Peaks prequel.

One more cup of coffee in Mulholland Drive

By Adam Woodward

Adam Woodward reflects on the importance of a cup of coffee in David Lynch's Hollywood neo-noir.

Eraserhead and the Lady in the Radiator

By David Jenkins

In our tribute to the works and worlds of David Lynch, David Jenkins reflects on his most spiritual film.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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