by Aaron Stewart-Ahn
Screenwriter, filmmaker and David Lynch disciple Aaron Stewart-Ahn reflects on growing up a stone’s throw from the setting of Lynch’s magnum opus, and what lies at the beating heart of all his creative work.
by Hannah Strong
David Lynch’s most unlikely feature examines the pain, regret, love and hope that makes life worth living.
by Jourdain Searles
Jourdain Searles reflects on the power dynamics at play in David Lynch’s seductive 1986 thriller.
by Christina Newland
Christina Newland explores the rhythms of David Lynch’s take on the life of Joseph Merrick.
by Mark Asch
Mark Asch recalls the sultry summer of 2017, when Dale Cooper returned to television and the world was forever changed.
by Sophie Monks Kaufman
Sophie Monks Kaufman recalls a strange vision in the nighttime and the haunting nature of David Lynch’s 1997 neo-noir.
by Marina Ashioti
David Lynch’s one-time adventure in Hollywood blockbuster filmmaking would forever change him – but not his heart.
by Esther Rosenfield
Throughout his career – though perhaps nowhere so much as in Inland Empire – David Lynch carved out a space for powerful depictions of women in crisis.
by Esmé Holden
David Lynch’s little-seen cartoon series about an angry man named Randy couldn’t be more pertinent.
by Juan Barquín
Mark Frost and David Lynch’s beloved television series is a testament to the greatest power human beings have.
by Kathryn Bromwich
A snakeskin jacket stands for so much in David Lynch’s lurid fairytale Wild at Heart.
by Willow Catelyn Maclay
Willow Catelyn Maclay reflects on the lonely last days of Laura Palmer in David Lynch’s Twin Peaks prequel.
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