Disney gives Mulan the live-action treatment with… | Little White Lies

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Dis­ney gives Mulan the live-action treat­ment with a new trailer

05 Dec 2019

Words by Charles Bramesco

A young woman in traditional Asian armour holding a bow, with a serious expression on her face.
A young woman in traditional Asian armour holding a bow, with a serious expression on her face.
A hum­ble daugh­ter, played by Liu Yifei, will save all of Chi­na in the upcom­ing remake.

Hav­ing brought us new takes on Dum­bo, The Lion King, and Aladdin in 2019, the Dis­ney Live-Action Remake Express will con­tin­ue to chug onward in 2020 and repur­pose even more famil­iar IP. Next up will be Mulan, the folk­tale of an ordi­nary girl break­ing with the mores of gen­der to serve in the mil­i­tary, bring hon­or to her fam­i­ly, and save all of China.

The new­ly released trail­er cycles through the famil­iar beats of the sto­ry, but also promis­es a new grandeur of scale that’s become the default for Disney’s non-ani­mat­ed tent­poles. Where the car­toon orig­i­nal offered Asian-influ­enced art design and rav­ish­ing pops of col­or, this update brings CGI extrav­a­gance and block­buster spectacle.

Liu Yifei takes over in the title role, as a clever and coura­geous daugh­ter whose light is kept under a bushel by a soci­ety with old-fash­ioned ideas about the role of women. When her father (Tzi Ma) gets draft­ed to serve in the war effort against the approach­ing Hun army, Mulan pos­es as a man so that she may go to the front in her dear old dad’s stead – but she’ll have to care­ful­ly main­tain the ruse if she doesn’t want to be found out and expelled in shame.

Young woman in red dress aiming bow and arrow in snowy mountainous landscape.

There have been a hand­ful of major depar­tures from the pre­vi­ous film, how­ev­er. For one, we see nei­ther hide nor hair of Mulan’s plucky ani­mal side­kicks, Mushu the drag­on and Cri-Kee the crick­et. To that same effect, all the musi­cal num­bers have been excised, though the melody of sig­na­ture tune Reflec­tion” per­sists as a scor­ing incidental.

For all that the new film does away with, it also adds a new char­ac­ter in the witch Xian Lang (Gong Li), seem­ing­ly invent­ed so that there will be some­one to sum­mon tor­rents of CGI gob­bledy­gook. It all seems to ges­ture toward a desire to deliv­er a more grown-up Mulan, and yet not too grown-up.

Films of this ilk – not fun enough to be children’s enter­tain­ment, not so mature that they can be engaged with on an adult lev­el – have had a poor track record in recent years, and the spot­ty CV of direc­tor Niki Caro doesn’t pro­vide much reas­sur­ance. But even so, the prospect of get­ting a prop­er wux­ia epic into West­ern neigh­bor­hood cine­plex­es may be too excit­ing to pass up.

Mulan comes to the­aters in the UK and US on 27 March, 2020.

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