Lynne Ramsay sets her sights on a Stephen King… | Little White Lies

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Lynne Ram­say sets her sights on a Stephen King adaptation

16 Nov 2020

Words by Charles Bramesco

A group of people, including a film crew with camera equipment, gathered outdoors on a wooded set.
A group of people, including a film crew with camera equipment, gathered outdoors on a wooded set.
She’s set to bring the sur­vival-hor­ror The Girl Who Loved Tom Gor­don’ to the screen.

With the excep­tion of Shake­speare and maybe Dick­ens, no Eng­lish-lan­guage writer has inspired quite as many adap­ta­tions as Stephen King, mae­stro of the macabre. His sig­na­ture brand of hor­ror mix­ing occult dan­gers with a more ambi­ent dread has attract­ed scores of direc­tors, and now his canon has claimed one more great filmmaker.

Today, The Hol­ly­wood Reporter announced that King’s nov­el The Girl Who Loved Tom Gor­don will soon get a big-screen treat­ment cour­tesy of an unex­pect­ed yet entire­ly apro­pos pick, Lynne Ram­say. For her first fea­ture since 2017’s You Were Nev­er Real­ly Here, she’s also co-writ­ten the script with Christy Hall, cre­ator of Netflix’s I’m Not Okay With This.

The book is anoth­er one of King’s sur­vival-against-all-odds sto­ries, strand­ing a nine-year-old named Trisha in the woods with­out her moth­er and broth­er to pro­tect her. As she grows increas­ing­ly hag­gard with­out nour­ish­ment, she starts to sus­pect she’s being stalked by some unnat­ur­al demon­ic force and hal­lu­ci­nates the pres­ence of her favorite base­ball play­er on the Boston Red Sox, with dark fan­tasies bleed­ing into reality.

The mate­r­i­al seems a nat­ur­al fit for the film­mak­er, and not just because her last movie was a lit­er­ary adap­ta­tion with a pro­tag­o­nist slow­ly los­ing his grip on san­i­ty. The grim child’s POV of Rat­catch­er, the psy­cho­log­i­cal com­plex­i­ty of Morvern Callar, and the unimag­in­able famil­ial ter­rors of We Need To Talk About Kevin all seem to make her the ide­al hire for Vil­lage Road­show pic­tures and pro­duc­er Chris­tine Romero, wife of the late great George.

The arti­cle makes no men­tion of when pro­duc­tion might begin, but any­one who knows Lynne Ram­say knows that she won’t be rushed through her work. Though this film’s pro­file brings her clos­er to the main­stream than she’s ever come before, we can still expect that with her indomitable artis­tic vision, it will be a Ram­say film through and through.

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