Daniel Kaluuya may star in a different sort of… | Little White Lies

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Daniel Kalu­uya may star in a dif­fer­ent sort of Black Pan­ther film

20 Feb 2019

Words by Charles Bramesco

Young man in blue shirt and hat, with serious expression, interacting with another person.
Young man in blue shirt and hat, with serious expression, interacting with another person.
The Get Out star is in talks to play civ­il rights mar­tyr Fred Hamp­ton in a new drama.

With the Oscars less than a week out, everyone’s chat­ter­ing about which Best Pic­ture nom­i­nee stands the best chance of scor­ing the cov­et­ed stat­uette. But the Wakan­dan super­hero of repute may not be the only Black Pan­ther with a hold on the zeit­geist for much longer.

An item from Vari­ety has bro­ken the news that ris­ing stars Daniel Kalu­uya and Lakei­th Stan­field have entered nego­ti­a­tions to star in Jesus Was My Home­boy, a dra­mat­ic ren­der­ing of the right­eous­ly rad­i­cal Black Pan­ther Party’s activ­i­ties dur­ing the 60s and the mur­der of activist leader Fred Hamp­ton at the hands of the Chica­go Police Depart­ment and the FBI.

Kalu­uya would por­tray Hamp­ton, an impas­sioned fire­brand for the cause of civ­il rights whose out­spo­ken anti-estab­lish­ment streak land­ed him on plen­ty of watch­lists. A raid on his per­son­al liv­ing quar­ters in 1969 result­ed in Hampton’s untime­ly death, which courts lat­er ruled a jus­ti­fi­able homi­cide” to the tune of a $1.85 mil­lion settlement.

Stan­field would play William O’Neal, the Pan­ther-turned-infor­mant that pro­vid­ed the feds with the floor plans to Hampton’s apart­ment. If the film intends to por­tray Hamp­ton as a Christ­like mar­tyr, then O’Neal would be the Judas fig­ure of the sto­ry, and like Iscar­i­ot him­self, O’Neal spent his life haunt­ed by a guilt that ulti­mate­ly drove him to suicide.

Ryan Coogler, a man who has no short­age of famil­iar­i­ty with pan­thers of var­i­ous black­ness, will pro­duce the film slat­ed as a direc­to­r­i­al project for Sha­ka King. Most of King’s recent cred­its come from TV (he helmed a few episodes of High Main­te­nance and Peo­ple of Earth), but those who have made the effort to seek out his ear­li­er indie fea­ture New­ly­weeds have report­ed back positively.

As the Amer­i­can main­stream grad­u­al­ly sheds its dis­com­fort with big-tick­et cin­e­ma out­side of the square of white-male­ness, a wider range of sto­ries will be able to be told. This film could pro­vide a lit­mus test for how far we’ve come; Hampton’s life sto­ry isn’t just an expres­sion of racial dishar­mo­ny, but a call to arms for those dis­en­fran­chised by a gov­ern­ment threat­ened by black power.

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