Mary Elizabeth Winstead’s guide to acting drunk | Little White Lies

First Person

Mary Eliz­a­beth Winstead’s guide to act­ing drunk

11 Dec 2012

Words by Adam Woodward

Woman in a floral dress seated in a cluttered room, looking pensive.
Woman in a floral dress seated in a cluttered room, looking pensive.
The Smashed star talks us through the fine art of get­ting half-cut on camera.

She’s best known for her scream queens roles in sci-fi/hor­rors Final Des­ti­na­tion 3, The Thing and Abra­ham Lin­coln: Vam­pire Hunter, but Mary Eliz­a­beth Winstead’s lat­est film, Smashed, required a more staid per­for­mance from the 28-year-old ris­ing star. Specif­i­cal­ly, she had to get used to pre­tend­ing to be out-of-her-mind drunk. A lot. Here, Win­stead serves up her top tips for act­ing blot­to on the big screen.

Every actor has a dif­fer­ent set of skills for act­ing drunk. I had nev­er done it before so I had to find some­thing that worked for me. I found this book called The Pow­er Of The Actor’, it has this chap­ter all about play­ing drunk and all the dif­fer­ent tech­niques you can use.”

The main thing I did was this almost hyp­no­sis thing where you close your eyes and you take your­self through every sin­gle minute detail of what it feels like to get drunk, start­ing with the taste on your tongue through the burn­ing down your throat to the warm dizzy feel­ing when the alco­hol starts to take effect. If you take it far enough it can have a real­ly pow­er­ful effect, to the point where when you open your eyes they’re glazed over and you feel real­ly out of it.”

In the more extreme scenes I would do things like spin­ning non-stop, real­ly fast while star­ing at the floor. I’d keep spin­ning until by the time they called action’ I’d have to hold onto some­thing just to stop myself from falling over. When you’re drunk you’re often act­ing in a sil­ly, child­like way, so spin­ning around helped me to get into that mindset.”

I thought about going method as an option, but ulti­mate­ly film­ing is unpre­dictable; you don’t know when you’re going to be film­ing a scene; you don’t know how long it’s going to take so if you’re rely­ing on a sub­stance that could evap­o­rate at any moment you may find your­self think­ing Oh shit, I’m not drunk any­more, what am I going to do now?’ Or the oppo­site can hap­pen where you get so drunk that you can’t take direc­tion or you can’t remem­ber your lines. There’s a lot of ways that could go wrong. Peo­ple def­i­nite­ly do it though, I have plen­ty of actor friends that have done it and end­ed up regret­ting it.”

I delib­er­ate­ly didn’t look at any oth­er drunk per­for­mances because I knew that if I got any sort of per­for­mance in my head that it would just effect it in a way that I didn’t want. I didn’t want to be con­scious­ly aware of what it looked like or what it sound­ed like. Try to find it in the most authen­tic way pos­si­ble. There’s a lot of what I’m like when I’m drunk in the performance.

I’m very sil­ly and child­like when I’m drunk, just very dance‑y and con­stant­ly mov­ing. The karaōke scene is a good exam­ple of what I’m like when I’m drunk – kin­da goofy and carefree.”

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