First Person

A white lamb wearing a blue knitted jumper, standing in a green field.
First Person

How we created Lamb’s creepy human-sheep hybrid child

by George Fenwick

VFX supervisors Peter Hjorth and Fredrik Nord discuss the ovine inspirations behind the year’s most disturbing horror.
Two cowboys on horseback in a mountainous, grassy landscape, wearing wide-brimmed hats and cowboy attire.
Interviews

Ari Wegner on how she created The Power of the Dog’s visual identity

by Hannah Strong

The cinematographer reveals the trick to shooting digital cows, and why the film is really a monster movie.
Five Black men posing together, some with hands raised, one holding a placard, against a wooden wall background.
First Person

‘Young black men are not statistics’ – Rapman on redefining the hood movie

by Thomas Hobbs

The rapper-turned-director discusses the making of his ambitious debut feature, Blue Story.
A young man in dark clothing holding a weapon, standing in front of a large, fantastical creature with horns, teeth, and a monstrous appearance.
Interviews

Louis Leterrier on realising a lifelong dream with The Dark Crystal: Age of Resistance

by Adam Woodward

The director of Netflix’s prequel series reveals how Jim Henson inspired him to become a filmmaker.
Black and white image showing a man seated in the foreground, with a woman and another man visible in the background.
First Person

Jane Magnusson on exploding the myth of Ingmar Bergman

by Greg Wetherall

The documentary maker discusses her eye-opening new profile of the enigmatic Swedish master.
Four men in a room, wearing casual clothing including checked shirts and jumpers, standing and sitting.
Film Music

Mogwai on how to turn a film score into an album

by Paul Weedon

Guitarist Stuart Braithwaite reflects on the band’s latest original score for the sci-fi action movie Kin.
Woman posing in front of mirror with makeup and beauty products
Interviews

Lauren Greenfield: ‘Authentic culture is being destroyed by capitalism’

by Thomas Curry

The award-winning documentary filmmaker discusses her latest chronicle of capitalist America, Generation Wealth.
Woman wearing sunglasses and long hair, against backdrop of street scene
Interviews

Sara Driver: ‘You dream a film before you make it’

by David Jenkins

The New York artist-filmmaker discusses her intimate new profile of Jean-Michel Basquiat.
Two men seated in a vehicle, one with a serious expression, the other with a contemplative look on his face.
Interviews

‘It changed the whole look of American film’ – Remembering Midnight Cowboy

by Hannah Strong

Adam Holender and Michael Childers reflect on the making of this iconic New York movie.
A man sitting in a boxing ring, wearing a grey jumper and looking pensive.
First Person

Paul Popplewell: From 24 Hour Party People to Journeyman

by David Jenkins

The stalwart British actor runs us through some of his scene-stealing career moments.
An individual wearing a hat and coat, silhouetted against an orange sunset sky with a distant road and vehicles.
First Person

How to shoot a movie in the Congo

by David Jenkins

Director Emmanuel Gras discusses the moral mine field of his gruelling Cannes prize-winner, Makala.
A group of four people, including two women and two men, gathered together in what appears to be an office or workplace setting. They are standing and conversing, with one person seated at a computer.
Interviews

Beyond Infinity: Lee Unkrich on the past, present and future of Pixar

by Hannah Strong

The co-director of Toy Story 2 and 3, Finding Nemo and Coco reflects on his two decades at the animation studio.

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