Why are superhero movies so reluctant to embrace… | Little White Lies

Queer Cinema

Why are super­hero movies so reluc­tant to embrace sex­u­al diversity?

09 Jun 2016

Words by Matt Burton

Close-up of two people's faces in pink and blue lighting, lips nearly touching.
Close-up of two people's faces in pink and blue lighting, lips nearly touching.
Shape His­to­ry direc­tor Mike Buon­aiu­to believes intro­duc­ing LGBT char­ac­ters is only half the battle.

There was an unusu­al sight at this year’s Lon­don Com­ic Con. Amid the usu­al pre­views, expert pan­els and cos­play con­tests, a gay super­hero was brought to life for the first time via a fake movie trail­er. Launched by social change com­pa­ny Shape His­to­ry, the #LGBT­Su­per­heroes cam­paign video is lead­ing calls for more LGBT super­heroes to be por­trayed in Hol­ly­wood productions.

While gay, les­bian and trans­gen­der char­ac­ters are on the rise in com­ic books, this diver­si­ty has yet to be reflect­ed in main­stream cin­e­ma, espe­cial­ly super­hero block­busters. What we’re see­ing in char­ac­ters like Ice Man, Cat­woman or Mys­tique is that any ele­ments of their authen­tic sex­u­al­i­ty just dis­solves and they become these white-washed, Hol­ly­wood-ified char­ac­ters,” says Mike Buon­aiu­to, who direct­ed the trailer.

If there is an increas­ing demand for a broad­er rep­re­sen­ta­tion of sex­u­al­i­ty in the com­ic books, how­ev­er, why has this not trans­lat­ed to the big screen? It’s all down to risk,” sug­gests Buon­aiu­to. Film pro­duc­ers are under such immense pres­sure to get the audi­ence to imme­di­ate­ly under­stand char­ac­ters that when it comes to intro­duc­ing ele­ments which are some­what dif­fer­ent, they fear it won’t attract the same amount of audience.”

Buon­aiu­to explains that Shape His­to­ry cre­at­ed the trail­er to counter this mar­ket-dri­ven atti­tude, aim­ing to show the movie indus­try that LGBT super­heroes pose no threat to their prof­it mar­gins. We put togeth­er a cam­paign that paints a pic­ture of what it would look like if the amaz­ing diver­si­ty we’ve seen in the com­ic books trans­lat­ed to the screen in real life,” he says. We just need to demon­strate that this stuff has a mas­sive audi­ence and there’s no risk involved in accu­rate­ly por­tray­ing diversity.”

Shape His­to­ry made a sim­i­lar splash in 2015 with Cre­dence, the first sci-fi film to fea­ture a same sex cou­ple, which received more than 600 con­tri­bu­tions to its crowd­fund­ing cam­paign. Buon­aiu­to believes the suc­cess of his film proves the time is right for Hol­ly­wood to tack­le its diver­si­ty prob­lem. It’s a media moment. It’s a chance to actu­al­ly talk about some­thing which I think the media are ready to talk about and I think film is ready to talk about.”

But sim­ply hav­ing more LGBT char­ac­ters is only half the bat­tle; they also need to be depict­ed in dif­fer­ent ways. While the recent suc­cess­es of the likes of Blue is the Warmest Colour, Car­ol and The Dan­ish Girl are small steps in the right direc­tion, the char­ac­ters they por­tray are still defined entire­ly by their sex­u­al­i­ty. As Buon­aiu­to observes: Why can’t we have a film with a trans char­ac­ter, or a bi, les­bian or gay char­ac­ter, that isn’t sur­round­ing the fact they are com­ing out or strug­gling with their sex­u­al­i­ty or being sub­ju­gat­ed against? Why can’t they just be liv­ing their life?”

Buon­aiu­to believes the best way to make Hol­ly­wood take note is for more LGBT film­mak­ers to cre­ate con­tent that will grab the world’s atten­tion. I know from my own expe­ri­ence that there are plen­ty of LGBT peo­ple work­ing in all kinds of media, includ­ing film, but they just need to step up and actu­al­ly take a stand and start cre­at­ing the con­tent they want to see rather than the con­tent they think oth­ers want to see.”

There’s cer­tain­ly plen­ty of evi­dence that stu­dio execs can be swayed by pub­lic opin­ion. Mar­vel fan-favourite Dead­pool, for exam­ple, was once con­sid­ered untouch­able by pan­icky stu­dio execs who thought a motor­mouthed mer­ce­nary would not appeal to a mass audi­ence. It was only when a leaked siz­zle reel of test footage, show­ing Ryan Reynolds in red Span­dex, quip­ping and killing this way through a car-load of goons, sparked an enthu­si­as­tic response that Fox green lit a full movie.

Could #LGBT­Su­per­heroes have a sim­i­lar­ly trans­for­ma­tive impact? The whole idea is to inspire oth­er peo­ple to cre­ate their own cam­paigns,” says Buon­aiu­to. We want peo­ple to be paint­ing art­work, writ­ing fan fic­tion and cre­at­ing a plat­form where they can get their work seen and shared because then it proves to the movie busi­ness that there is an audi­ence for this kind of material.”

The chal­lenges fac­ing the LGBT com­mu­ni­ty might seem insur­mount­able, espe­cial­ly when you look around and see destruc­tive acts like trans peo­ple being forced to use pub­lic bath­rooms cor­re­spond­ing to their birth gen­der in North Car­oli­na. But it’s a fight Buon­aiu­to is con­fi­dent we can over­come. We will def­i­nite­ly see more diver­si­ty in super­hero movies,” he says. Because myself, the Shape His­to­ry team and oth­ers around the world will con­tin­ue to cam­paign for it together.”

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