Wes Anderson adapts a Roald Dahl short story with his signature attention to detail and visual panache.
Despite a fine turn from Willem Dafoe, Julian Schnabel’s Vincent van Gogh biopic is a messy affair.
This bruising and brutal jailhouse carve-up rides on the back of an astonishing central turn by Jack O’Connell.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
