Mike Cahill’s disastrous sci-fi parable sees Owen Wilson and Salma Hayek slip into a simulated realty.
By Emily Bray
An explosion of cuddly warmth can be found in this gentle tale of a disfigured boy coming up against school bullies.
By Elena Lazic
This latest Pixar sequel is a digitally-rendered blockbuster which celebrates the joys of the analogue world.
As director and star, Ben Stiller sleepwalks through this drab, inconsequential comedy sequel.
Paul Thomas Anderson charts the end of the hippy dream in this blissful gumshoe chimera.
Midnight in Paris isn’t a clutch at yesteryear; it’s a statement that Allen still has something left to say.
John Lasseter has described the film as ‘a present to the world’. You might want to keep the receipt.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
