Jon Favreau’s genre mash-up is yet another underwhelming summer brouhaha that fails to up the ante.
By Tom Seymour
The screen may glow in Joseph Kosinski’s sci-fi spectacle, but the soul lies cold.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
