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Drive-Away Dolls review – a future midnight screening staple

By Esther Rosenfield

Margaret Qualley and Geraldine Viswanathan star in a delightfully daffy road movie, written by Ethan Coen and his wife Tricia Cooke.

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Spaceman review – a moving voyage to the far beyond

By Hannah Strong

Adam Sandler stars as a lonely cosmonaut who befriends a giant, benevolent spider at the edge of the universe in Johan Renck's spiritual odyssey.

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Perfect Days review – profound simplicity by two cinematic masters

By Hannah Strong

Wim Wenders' gentle character studies features a beautifully restrained performance from Kôji Yakusho, as a toilet cleaner who lives a simple life in Tokyo.

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Dune: Part Two – a rousing and stylish hard sci-fi sequel

By David Jenkins

Timothée Chalamet and Zendaya shine as mystical freedom fighters in this grandiose and often-breathtaking blockbuster.

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Society of the Snow review – a visceral survival drama

By Emma Fraser

A harrowing yet incredibly human look at survival in the most desperate circumstances from director JA Bayona.

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The Taste of Things review – every frame is delectable

By David Jenkins

Juliette Binoche and Benoît Magimel play late 19th century gourmets in Tran Ahn Hung’s scintillating epic of proto-foodie passions.

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The Iron Claw review – a heartbreaking dissection of fraternal tragedy

By Hannah Strong

Sean Durkin's searing new drama focuses on the incredible story of the Von Erich Brothers, who became heavyweights in the wrestling world, but were dogged by personal tragedy.

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Occupied City review – a staggeringly ambitious feat of emotional stamina

By Sophie Monks Kaufman

Steven McQueen provides a haunting examination of Amsterdam under Nazi occupation in contrast to its present in his documentary adapted from Bianca Stigter's book of the same name.

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Your Fat Friend review – heartfelt, clear-eyed filmmaking

By Hannah Strong

Jeanie Finlay profiles writer and activist Aubrey Gordon, whose eponymous blog unexpectedly led her to become an online sensation.

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The Zone of Interest review – a towering, awful masterwork

By Hannah Strong

Jonathan Glazer's stark film about the domestic routine of the Höss family next door to Auschwitz is a colossal, profoundly disturbing achievement in filmmaking.

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Samsara review – a quiet, radical masterwork

By Neil Young

Lois Patiño travels from Laos to Zanzibar via the bardo in this unique and jaw-dropping tale of bodily transcendence.

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All of Us Strangers review – a supernova of a film

By Hannah Strong

Andrew Scott and Paul Mescal are electric in Andrew Haigh's twist on the modern ghost story, adapted from Taichi Yamada's cult novel.

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The Kitchen review – vindicating and explosive

By Rogan Graham

Daniel Kaluuya and Kibwe Tavares' feature debut is a kinetic, prescient thriller about gentrification and isolation in a near-future version of London.

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The Holdovers review – the most scintillating festive movie in years

By Lillian Crawford

A curmudgeonly teacher, a grieving cook and a petulant young student find themselves thrown together for the holidays in Alexander Payne's excellent Christmassy dramedy.

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Poor Things review – Lanthimos at his most playful and comedic

By Savina Petkova

Emma Stone gives a career-defining performance in Yorgos Lanthimos’ opulent provocation about the human body as a nexus for pleasure and pain.

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Priscilla review – subtle and sensational

By Hannah Strong

A star is born in Sofia Coppola's biographical drama based on the relationship between Priscilla and Elvis Presley, with Cailee Spaeny delivering a remarkable performance.

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The Boy and the Heron review – poetry, philosophy, pure emotion

By Mark Asch

Less a swansong and more a heronsong from the Japanese maestro Hayao Miyazaki, a mystical and ambitious message of hope for the future.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.

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