The Heiresses – first look review

By Hannah Woodhead

A sensitive portrait of a hesitant woman attempting to rediscover her lust for life makes for an assured feature debut from Marcelo Martinessi.

Eva – first look review

By Hannah Woodhead

A love affair between Isabelle Huppert and Gaspard Ulliel fails to ignite a spark in this predictable psychodrama.

Black 47 – first look review

By Hannah Woodhead

An Irish soldier exacts his revenge on those that have harmed his family in Lance Daly's bleak period thriller.

Gordon & Paddy – first look review

By Hannah Woodhead

This charming little Swedish film about a jaded old toad detective and his plucky young mouse assistant makes for cosy viewing.

The Happy Prince – first look review

By Hannah Woodhead

Rupert Everett dons three caps to write, direct and star in a dramatic imagining of Oscar Wilde’s untimely demise.

Damsel – first look review

By Hannah Woodhead

In their first feature-length directorial team-up, David and Nathan Zellner go west, with Robert Pattinson and Mia Wasikowska in tow.

Isle of Dogs – first look review

By Hannah Woodhead

Wes Anderson takes audiences on a journey to Japan in his new stop-motion feature about a 12-year-old boy and his missing dog.

The best new horror movies from Sundance 2018

By Ed Gibbs

This year’s festival offered plenty of devilishly dark delights within its raucous Midnight strand.

Lizzie – first look review

By Monica Castillo

Chloë Sevigny plays infamous axe killer Lizzie Borden in director Craig William Macneill’s chilling drama.

Westwood: Punk, Icon, Activist – first look review

By Monica Castillo

Fashion designer Vivienne Westwood proves a spiky and evasive presence in this entertaining docu-portrait.

Mandy – first look review

By Monica Castillo

This ultra-violent Nic Cage revenge flick is the stuff midnight movie legend is made of.

The Miseducation of Cameron Post – first look review

By Monica Castillo

Desiree Akhavan delivers a bold and poignant queer drama about teen survivors of gay conversion therapy.

A B&B in Glasgow is showing Groundhog Day every day for a fortnight

By Hannah Woodhead

Harold Ramis’ 1993 comedy bears repeating as part of the 2018 Glasgow Film Festival.

Our New President – first look review

By Monica Castillo

This frequently confounding collage doc explores the cult of Donald Trump through fake news and viral footage.

On Her Shoulders – first look review

By Ed Gibbs

A compelling look at the global campaigning of sex slave survivor turned reluctant Yazidi activist, Nadia Murad.

Cate Blanchett named Jury President of the 2018 Cannes Film Festival

By Little White Lies

The Carol and Blue Jasmine star will judge this year’s Palme d’Or contenders.

10 highlights from the Tallinn Black Nights Film Festival

By Patrick Gamble

The conflict between tradition and modernity came to the fore at Estonia’s largest film event.

Isle of Dogs to open the 2018 Berlin Film Festival

By Hannah Woodhead

Wes Anderson and his canine crew are headed to the 68th Berlinale.

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About Little White Lies

Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.