by Leila Latif
Justin Simien attempts to breathe life into Disney's latest ride-based franchise starter, but despite a fine cast the results are a little scattered.
by Rógan Graham
Easily digestible hunk of rom-com fluff with Jennifer Lopez and Owen Wilson doing the mismatched couple thing.
by Charles Bramesco
Mike Cahill’s disastrous sci-fi parable sees Owen Wilson and Salma Hayek slip into a simulated realty.
by Emily Bray
An explosion of cuddly warmth can be found in this gentle tale of a disfigured boy coming up against school bullies.
by Elena Lazic
This latest Pixar sequel is a digitally-rendered blockbuster which celebrates the joys of the analogue world.
by David Jenkins
As director and star, Ben Stiller sleepwalks through this drab, inconsequential comedy sequel.
Paul Thomas Anderson charts the end of the hippy dream in this blissful gumshoe chimera.
by Adam Woodward
Midnight in Paris isn’t a clutch at yesteryear; it’s a statement that Allen still has something left to say.
by Nell Frizzell
A long, meandering sub-James Bond pastiche set in the confounding world of talking cars.
by Matt Bochenski
John Lasseter has described the film as ‘a present to the world’. You might want to keep the receipt.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.