By Jenna Mahale
Writer/director Sasie Sealy discusses the making of her “risky” debut feature, Lucky Grandma.
Sprawling programmes and a focus on new talent makes buying tickets a tough task. But it need not be.
By Anton Bitel
Away from the showpiece gala screenings, these are the films worth seeking out at this year’s LFF.
Céline Sciamma, Marielle Heller and Athina Rachel Tsangari are all heading to the capital this October.
The director’s upcoming crime drama is set for its international premiere on 13 October.
In Carmen and Lola, a young couple challenge the patriarchal and heteronormative attitudes of society.
A crop of complex and fascinating female characters were at the heart of this year’s LFF.
Filmmakers Isa Mazzei and Daniel Goldhaber discuss their provocative techno-thriller Cam.
In I Used to be Normal: A Boyband Fangirl Story, director Jessica Leski meets three generations of women with a common obsession.
Florence Pugh, Alexander Skarsgård and Michael Shannon star in this lurid, weird and impeccably designed new work from Park Chan-wook.
Marcus Lindeen’s documentary The Raft reunites the participants of a radical social study.
Ben Wheatley changes pace with this surprisingly wholesome family-based drama starring Neil Maskell.
A smalltown cop comes to terms with the death of his mother in Jim Cummings’ poignant study of grief.
Our pick of this year’s shorts programme, featuring rogue chickens and a shoegaze ode to Chantal Akerman.
By Anton Bitel
Personal recommendations to seek out during the upcoming edition of the UK’s biggest film event.
Stumped on what to book for this year’s festival? LWLies are on hand to help out.
Big names, hidden gems and arthouse favourites head to the capital this October.
Little White Lies was established in 2005 as a bi-monthly print magazine committed to championing great movies and the talented people who make them. Combining cutting-edge design, illustration and journalism, we’ve been described as being “at the vanguard of the independent publishing movement.” Our reviews feature a unique tripartite ranking system that captures the different aspects of the movie-going experience. We believe in Truth & Movies.
