by David Jenkins
This slow-burn folk horror set in old, weird England marks the auspicious return of talented British director Thomas Clay.
by Sophie Monks Kaufman
Cosmo Jarvis shines in this portrait of flawed, inarticulate masculinity by first-time feature director Nathalie Biancheri.
by Jenna Mahale
Writer/director Sasie Sealy discusses the making of her “risky” debut feature, Lucky Grandma.
Sprawling programmes and a focus on new talent makes buying tickets a tough task. But it need not be.
by Anton Bitel
Away from the showpiece gala screenings, these are the films worth seeking out at this year’s LFF.
Céline Sciamma, Marielle Heller and Athina Rachel Tsangari are all heading to the capital this October.
by Adam Woodward
The director’s upcoming crime drama is set for its international premiere on 13 October.
by Sophie Willard
In Carmen and Lola, a young couple challenge the patriarchal and heteronormative attitudes of society.
A crop of complex and fascinating female characters were at the heart of this year’s LFF.
by Josh Slater-Williams
Filmmakers Isa Mazzei and Daniel Goldhaber discuss their provocative techno-thriller Cam.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
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