by Imogen West-Knights
In I Used to be Normal: A Boyband Fangirl Story, director Jessica Leski meets three generations of women with a common obsession.
by Kambole Campbell
Florence Pugh, Alexander Skarsgård and Michael Shannon star in this lurid, weird and impeccably designed new work from Park Chan-wook.
by Catherine Pearson
Marcus Lindeen’s documentary The Raft reunites the participants of a radical social study.
by Hannah Strong
Ben Wheatley changes pace with this surprisingly wholesome family-based drama starring Neil Maskell.
A smalltown cop comes to terms with the death of his mother in Jim Cummings’ poignant study of grief.
by Michael Ewins
Our pick of this year’s shorts programme, featuring rogue chickens and a shoegaze ode to Chantal Akerman.
by Anton Bitel
Personal recommendations to seek out during the upcoming edition of the UK’s biggest film event.
by David Jenkins, Hannah Woodhead
Stumped on what to book for this year’s festival? LWLies are on hand to help out.
by Little White Lies
Big names, hidden gems and arthouse favourites head to the capital this October.
The festival’s 62nd edition kicks off with the international premiere of the British director’s fourth feature.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.