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Monochrome image with bright pink and blue figure standing amongst grey concrete blocks and scattered debris on rough ground.
This Just In

GriefTech: Death and Technology in The Shrouds, Invention, and Severance

by Jadie Stillwell

Recent sci-fi works in film and television alike are articulating new relationships between contemporary technologies and grief.
Close-up of an elderly man's face, with a serious expression and wrinkled skin.
Hard Craft

Baby Love: Behind the scenes with the company creating realistic maternity props

by Scheenagh Harrington

Producing realistic baby bumps, placentas and prop babies, Cinebaby are working to improve the representation of maternity in film and television.
Graphic comic-style image depicting an angry, screaming woman with wild hair in a red and black palette, surrounded by smaller images including an explosion and another woman.
In Heaven Everything Is Fine

An endless summer with Twin Peaks: The Return

by Mark Asch

Mark Asch recalls the sultry summer of 2017, when Dale Cooper returned to television and the world was forever changed.
Two cartoon rabbits, one holding a cake and dressed in a red pinafore, the other in a purple suit, in a countryside setting with hills and clouds.
In Heaven Everything Is Fine

Love in the land of Twin Peaks

by Juan Barquin

Mark Frost and David Lynch’s beloved television series is a testament to the greatest power human beings have.
Close-up of a person's face partially obscured by pink lighting.

Played for laughs: how cinema still fails male sexual assault survivors

by Mark Carnochan

There is a troubling history of male survivors of sexual assault being treated as a joke in film and television – one writer recounts finding solace in another story.
Laptop displaying text "How Many Cooks" on dark background with plants in foreground.
Not Movies

Because The Internet: the cursed, perverse realities of Adult Swim infomercials

by Sam Moore

On the late night programming block of an American television channel a series of bleak parody shorts riff on the relationship between the internet and spectatorship.
A neon-lit illustration of a young man with curly hair, glasses, and a serious expression, against a vibrant pink background.
Interviews

Jane Schoenbrun: ‘I think of film as a medium that is going to disappear eventually’

by Esmé Holden

The filmmaker reflects on her sophomore feature film, I Saw the TV Glow, in which two teenage outsiders find comfort in a mysterious television series.
Silhouettes of dancers on stage with vibrant purple and orange lighting, geometric shapes, and twinkling stars.
Review

Give Me Pity! review – an experimental, esoteric extravaganza

by Marina Ashioti

A young woman’s dream gig on television descends into chaos in Amanda Kramer’s imaginative new melodrama.

4
Anticipation
4
Enjoyment
3
In Retrospect
Two young women with long, wavy blonde hair smiling brightly at the camera. They are wearing casual, colourful clothing.
In Praise Of

Mary-Kate and Ashley’s The Challenge marked direct-to-video death for tweens

by Jasmine Valentine

The reality television-inspired tween comedy heralded the end of an era for how young audiences watched their idols.
Man in beige suit and tie standing next to microphone stand.
Festivals

Midnight in Austin: four world premieres at SXSW 2023

by Anton Bitel

Murderous teens, strange growths and television-haunting ghosts are on the bill in SXSW’s midnight movies slate.