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A man with blond hair and blue eyes against a green background.
Interviews

Harris Dickinson: ‘It was actually quite scary improvising with Lola’

by Hannah Strong

The Scrap­per star on get­ting into char­ac­ter, upset­ting the make-up depart­ment and impro­vis­ing oppo­site a tena­cious 11-year-old.
A woman lying on a couch, wearing a green dress, with her eyes closed and a pained expression on her face.
The Oscar Goes To...

Why Corsage deserves the Best Make-Up & Hairstyling Academy Award

by Alexandria Slater

Helene Lang and Maike Hein­lein smart­ly utilise Sis­si’s per­son­al styling to empha­sise the ways in which she was repressed and sub­se­quent­ly rebelled.
Young woman with long, wavy hair wearing a peach-coloured jacket, looking pensive.
Sponsored

Great debut features from female directors

by Little White Lies

To cel­e­brate the release of Make Up, here are five mag­nif­i­cent first films by some seri­ous­ly tal­ent­ed women.
Two men eating at a table in a dimly lit room, with drinks and plates in front of them.
Women In Film

The symbolic power of caravans in female coming-of-age films

by Davina Quinlivan

These stark, sta­t­ic struc­tures often rep­re­sent class, sex­u­al­i­ty and escape, as Claire Oakley’s Make Up shows.
Illustration of a woman with long blonde hair, wearing glasses and a blue top. Vibrant red and green colour palette with diagonal lines in the background.
Interviews

Claire Oakley: ‘The whole film is about describing the feelings of this young woman’

by Elena Lazic

How a fas­ci­na­tion with female desire inspired the first-time direc­tor of the excel­lent Make Up.
Two people with long dark hair, faces partially obscured, in front of blurred lights.
Review

Make Up

by Anton Bitel

A Cor­nish car­a­van park pro­vides the back­drop to a young woman’s sex­u­al (re)awakening in Claire Oakley’s impres­sive debut.

3
Anticipation
4
Enjoyment
4
In Retrospect
A young woman with long brown hair, facing the camera with a serious expression, standing against a bright blue background.
Festivals

Every female director at the 2017 BFI London Film Festival

by Little White Lies

Films made by women make up a quar­ter of this year’s bumper programme.
Greying man with beard, wearing brown coat, stands in front of vintage car on desert landscape.
Interviews

David Mackenzie: ‘My film asks some important questions about America’

by Adam Woodward

The Hell or High Water direc­tor on the themes and influ­ences that make up his fine­ly craft­ed anti-western.
Video

Meet the make-up artist who made Tom Hardy a Legend

by Little White Lies

Chris­tine Blun­dell takes us inside her Lon­don academy.