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Truth & Movies: A Little White Lies Podcast
Podcast

How To Train Your Dragon | Lollipop | Ladybird Ladybird (1994)

On Truth & Movies this week, we dis­cuss the live action remake How To Train Your Drag­on, and Daisy-May Hudson’s pow­er­ful fic­tion­al fea­ture debut, Lol­lipop. Final­ly, for film club, we turn our atten­tion to Ken Loach’s Lady­bird Ladybird.
Exterior of 'The Old Oak' pub, with a person standing outside the boarded-up windows and doorway.
Review

The Old Oak review – trades largely on didacticism and sentimentality

by Mark Asch

In what could be his final film, Ken Loach fix­es his gaze on a pub land­lord in a town reck­on­ing with a new pop­u­la­tion of Syr­i­an refugees.

3
Anticipation
2
Enjoyment
2
In Retrospect
Text overlaid on a blue background: "BRITISH INDIE FILM CLUB Little White Lies BIFA"
Podcast

Introducing British Indie Film Club – a new podcast from BIFA and LWLies

by Little White Lies

Our lim­it­ed pod­cast series kicks off with spe­cial guest Saman­tha Mor­ton dis­cussing Ken Loach’s Lady­bird Ladybird.
Man holding black cat in kitchen with wooden cabinets.
Festivals

The Old Oak – first-look review

by Mark Asch

In what could be his final film, Ken Loach turns his eye to UK immi­gra­tion, focus­ing on a pub land­lord in a town reck­on­ing with a new pop­u­la­tion of Syr­i­an refugees.
A man in a brown jacket stands in front of a row of white vans.
Review

Sorry We Missed You

by Adam Woodward

Ken Loach dou­bles down on his kitchen-sink shtick in this heavy-hand­ed indict­ment of Britain’s gig economy.

3
Anticipation
2
Enjoyment
1
In Retrospect
A man with a straw hat, sunglasses, and a denim shirt holding a video camera on a film set.
Incoming

Who still needs to weigh in on the Marvel vs Auteurs debate?

by Charles Bramesco

The dis­course will not be sat­is­fied until Ter­rence Mal­ick descends from his moun­tain­top stronghold.
Two people, a man and a woman, sitting on a bench outdoors and looking at each other, with a scenic countryside view in the background.
Festivals

Sorry We Missed You – first look review

by Adam Woodward

Ken Loach and Paul Laver­ty return to Cannes with anoth­er bit­ter requiem for the work­ing class.
Two men in glasses, one with a hat, in a black and white photograph.
Review

Water and Sugar: Carlo Di Palma, the Colours of Life

by Courteney Tan

The mas­ter cin­e­matog­ra­ph­er behind films by Woody Allen and Wim Wen­ders is remem­bered in this fond and nos­tal­gic hagiography.

3
Anticipation
3
Enjoyment
3
In Retrospect
A group of men in military uniforms, some wielding rifles, stand in a crowd of people in an outdoor setting. The scene appears to depict a historical or political event.
In Praise Of

How Ken Loach captured the emotional fallout of the Spanish Civil War

by James Clarke

Land and Free­dom shows the per­son­al and polit­i­cal sides of this 80-year-old conflict.
Two individuals, a man and a woman, relaxing on a sofa in an indoor setting, surrounded by photographs on the wall.
Review

Poor Cow (1967)

by David Jenkins

The late Car­ol White is excep­tion­al as a work­ing class sin­gle moth­er in Ken Loach’s restored kitchen-sink drama.

4
Anticipation
4
Enjoyment
4
In Retrospect