21 results found
by Sam Moore
As The Thing turns 40, its place within Carpenter’s exploration of spiritual breakdown has never felt more prescient.
by Anton Bitel
The genre maestro’s dystopian thriller feels eerily prescient in its depiction of a broken police state.
by Thomas Hobbs
A personal essay on the director’s 1980 horror, which returns to cinemas this Halloween.
by Hannah Strong
David Gordon Green presents a John Carpenter-approved sequel to the slasher classic from 1978.
by Kimberley Ballard
Fear and violence aren’t the only things that John Carpenter’s boogeyman brings to Haddonfield.
by Frazer Macdonald
In Michael Myers, director John Carpenter created an enduring yet harmful horror archetype.
Jamie Lee Curtis faces her old adversary once again in David Gordon Green’s thrilling John Carpenter-approved sequel.
Michael Myers is back to terrorise Jamie Lee Curtis in the sequel to John Carpenter’s horror classic.
Black Christmas contains one of the earliest examples of the ‘final girl’ trope in horror cinema.
The director’s newly-restored 1982 film continues to stand the test of time.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.