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Darkened country cottage against a cloudy night sky, dim yellow lights glowing from the windows.

The sublime short films of Derek Jarman, seen for the first time in decades

by Grace Dodd

Thanks to the efforts of the LUMA Foun­da­tion and Jar­man’s friend James Mack­ay, a series of shorts pro­duced by the pio­neer­ing film­mak­er have been restored and screened for the first time in London.
Two men in dark clothes, one with long hair and a beard, leaning towards each other over a table.
In Praise Of

How Derek Jarman’s films queer the narrative of history

by Sam Moore

In 1976’s Sebas­tiane and 1986’s Car­avag­gio, the direc­tor refus­es to rel­e­gate homo­sex­u­al­i­ty to the subtext.
Dilapidated building with balconies against a blue sky with some birds flying.
Beginnings

Beginnings: Derek Jarman’s Bankside

by Adam Scovell

Vis­it­ing the site near South­wark Bridge in Lon­don where the late artist’s film­mak­ing career began.
A man in a red shirt working in a garden in front of a black-roofed wooden house.
Incoming

A crowdfunding effort has saved Derek Jarman’s seaside cottage

by Charles Bramesco

The late film­mak­er and queer activist called Dun­ge­ness in Kent home dur­ing the lat­ter years of his life.
Woman wearing white dress with veil, standing by shoreline with ship in background.
In Praise Of

Why the politics of Derek Jarman’s late films are so important

by Sam Moore

In a time of polit­i­cal uncer­tain­ty, his bold rep­re­sen­ta­tions of queer­ness remain as vital and rel­e­vant as ever.
Solid royal blue background.
In Praise Of

In praise of Blue – Derek Jarman’s haunting reflection on HIV

by Max Ramsay

The pio­neer­ing British filmmaker’s final work remains a pro­found­ly per­son­al and poet­ic work.