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Two people, a man and a woman, sitting on chairs outdoors in a grassy area with a blurred background.
Festivals

The 2018 BFI London Film Festival line-up has been announced

by Little White Lies

Big names, hid­den gems and art­house favourites head to the cap­i­tal this October.
Four people in a backstage area, packing boxes on a table. The scene features diverse individuals in casual attire, suggesting a behind-the-scenes or production environment.
Festivals

Steve McQueen’s Widows to open the 2018 BFI London Film Festival

by Hannah Strong

The festival’s 62nd edi­tion kicks off with the inter­na­tion­al pre­mière of the British director’s fourth feature.
Two people, a woman with a short, dark hairstyle and a man, in a black and white film still. The woman has an intense expression, staring at the man.
Review

Pandora’s Box (1929)

by Caroline Golum

Louise Brooks is as beguil­ing as ever in this BFI re-issue of GW Pabst’s silent era classic.

5
Anticipation
5
Enjoyment
5
In Retrospect
Close-up of a person's open mouth, with vibrant red lips against a striking blue background.
Festivals

Look out for this subtle and furious study of queer loneliness

by Sophie Monks Kaufman

A teen fights for his soul in Brazil­ian char­ac­ter study Hard Paint, which screened at this year’s BFI Flare.
Affectionate couple embracing outdoors, man in olive jacket, woman in knitted hat
Review

The Touch (1971)

by David Jenkins

Ing­mar Bergman’s first Eng­lish-lan­guage fea­ture is a lost, mid-career gem, unearthed and restored by the BFI.

3
Anticipation
4
Enjoyment
4
In Retrospect
Silhouetted figure in colourful lighting, holding a light-emitting device.
Festivals

Addressing gender trouble at the 2017 BFI London Film Festival

by Sophie Monks Kaufman

New films that deal with the rela­tion­ship between men and women in inter­est­ing ways.
Man in red top amid bright lighting
Festivals

Journeyman – first look review

by David Jenkins

Pad­dy Considine’s sec­ond fea­ture as direc­tor is pow­ered by a clutch of big, bold and unabashed­ly emo­tion­al performances.
Close-up of a man wearing a suit and tie, with serious expression.
Queer Cinema

How has trans-female representation in film changed in the last 45 years?

by Isobel Raphael

Find­ings from a rare pub­lic screen­ing of John Dexter’s I Want What I Want.
A young woman with long brown hair, facing the camera with a serious expression, standing against a bright blue background.
Festivals

Every female director at the 2017 BFI London Film Festival

by Little White Lies

Films made by women make up a quar­ter of this year’s bumper programme.
Two men cycling on a cobblestone street, wearing casual blue shirts and shorts. One man is on a white bicycle, the other on a dark-coloured bicycle. A car is parked in the background.
Festivals

The 2017 BFI London Film Festival line-up has been announced

by Little White Lies

Luca Guadagnino’s Call My by Your Name and Guiller­mo del Toro’s The Shape of Water are among the high­lights of the 61st LFF.