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A person with curly red hair wearing a black jacket, standing in front of a busy, abstract background with various shapes and colours.
Festivals

Undine – first look review

by Sophie Monks Kaufman

An ancient myth under­pins Ger­man direc­tor Chris­t­ian Petzold’s wishy-washy roman­tic drama.
Blond woman with windswept hair in a blue and yellow top, against a grassy field background.
Festivals

Anne at 13,000 Feet – first look review

by Sophie Monks Kaufman

There’s shades of John Cas­savetes in Cana­di­an writer/​director Kazik Radwanski’s ele­vat­ed char­ac­ter study.
A man in a black bowler hat and coat stands in a forest, silhouetted against the warm autumn light.
Festivals

First Cow – first look review

by Sophie Monks Kaufman

Kel­ly Reichardt trains her metic­u­lous eye on 1820s Ore­gon in this sub­lime com­pan­ion piece to 2006’s Old Joy.
Autumn trees, people on a wooden dock, cow walking across the dock in a lakeside setting.
Festivals

Kelly Reichardt and Sally Potter are heading to the 2020 Berlinale

by Sophie Monks Kaufman

They’ll be joined by Abel Fer­rara and Tsai Ming-liang when the fes­ti­val kicks off in February.
Colourful, psychedelic glasses on person's face against a backdrop of vibrant, blurred lights.
Not Movies

Sex Education and the search for truer pleasures

by Sophie Monks Kaufman

Lau­rie Nunn’s con­sis­tent­ly fun­ny, won­der­ful­ly act­ed series offers so much more than shal­low titillation.
Dusk setting, silhouetted buildings and trees, two people sitting on steps.
Review

Midnight Traveler

by Sophie Monks Kaufman

Afghan direc­tor Has­san Fazili doc­u­ments his family’s per­se­cu­tion at the hands of the Taliban.

3
Anticipation
5
Enjoyment
4
In Retrospect
Group of men with heads bowed, appearing to pray or reflect solemnly.
Review

A Hidden Life

by Sophie Monks Kaufman

Pri­vate, unseen protest forges a spir­i­tu­al path to God in Ter­rence Malick’s rhap­sod­ic resis­tance drama.

5
Anticipation
5
Enjoyment
4
In Retrospect
Three blonde women in formal attire - grey, pink, and black outfits - standing in an elevator.
Review

Bombshell

by Sophie Monks Kaufman

This star­ry post-#MeToo take­down of tox­ic mas­culin­i­ty gross­ly mis­rep­re­sents its female subjects.

3
Anticipation
2
Enjoyment
1
In Retrospect
Two individuals, a man and a woman, standing on a street corner. The man is wearing a tie-dye hooded jacket, while the woman is wearing a beige coat. They appear to be engaged in conversation.
Review

The Body Remembers When the World Broke Open

by Sophie Monks Kaufman

This grip­ping dra­ma writ­ten, direct­ed by and star­ring an Indige­nous Cana­di­an woman has qui­et­ly snuck onto Netflix.

3
Anticipation
4
Enjoyment
5
In Retrospect
Stylised portraits of two people, one with blonde hair and the other with dark hair, against a pink and yellow background.
Interviews

Kim Longinotto: ‘I feel I’ve been cheated all my life by Hollywood’

by Sophie Monks Kaufman

One of Britain’s best doc­u­men­tary film­mak­ers trades on-cam­era inter­views for archive footage in Shoot­ing the Mafia.