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A group of people dressed in vibrant and stylish outfits, including a woman in a red and yellow fur coat, a man in a burgundy suit, and several women in bright pink and red clothing.
Incoming

A short history of Hollywood’s (ill-fated) attempts to adapt the internet

by Charles Bramesco

A bid­ding war over a Red­dit-sourced hor­ror pitch rings a famil­iar bell.
A black and white image showing two people, one of whom is a woman with blonde hair, standing on a police line barrier in a park-like setting.
Queer Cinema

Netflix’s Disclosure is just the start for trans*-positive representation

by Lillian Crawford

Sam Feder’s lat­est doc­u­men­tary, on Hollywood’s harm­ful trans­gen­der stereo­types, is a great con­ver­sa­tion starter – but we need to go further.
Two men in formal clothing operating an old-fashioned film camera.
Women In Film

The pioneering filmmaker who broke the mould for women in Hollywood

by Pamela Hutchinson

Dorothy Arzn­er gave Gold­en Age female stars like Katharine Hep­burn and Ros­alind Rus­sell intel­li­gent, com­plex roles.
A man in casual clothes walks a white dog on a leash in an outdoor setting with trees in the background.
In Praise Of

Revisiting White Dog, Samuel Fuller’s powerful anti-racism allegory

by Kia Rahnama

The director’s con­tro­ver­sial 1982 thriller sub­verts the ​“white sav­iour” myth still per­pet­u­at­ed by Hollywood.
Fearsome, hairy creature with large eyes and sharp teeth emerging from a mug.
Incoming

15 June, 1990, an exceptionally unhinged day in Hollywood history

by Charles Bramesco

Thir­ty years ago, Grem­lins 2: The New Batch and Dick Tra­cy arrived in one fell swoop of auteurist mania.
Young woman wearing a red cap and shirt, looking pensive through an ornate gilded frame.

With Hollywood at a standstill, young filmmakers turn to TikTok

by Margaux MacColl

The video-shar­ing plat­form has tak­en the world by storm, and the film indus­try is start­ing to take note.
Two men wearing hats having a conversation in a black and white scene.
In Praise Of

Is Rififi still the greatest heist movie ever made?

by Soham Gadre

Jules Dassin’s black­list­ing from Hol­ly­wood led him to cre­ate this superla­tive 1955 crime thriller.
Close-up of a woman with blonde, wavy hair and a serious expression. Her eyes are piercing and her lips are slightly parted.
Women In Film

Hollywood prefers blondes (as index patients)

by Elizabeth Horkley

Attrac­tive women of ques­tion­able virtue have long been a scape­goat for society’s lit­er­al ills.
Four men in suits and hats standing in front of a car.
Not Movies

Netflix’s Hollywood is an enticing look at a town of big dreams

by Emma Fraser

Ryan Mur­phy and Ian Brennan’s lim­it­ed series reveals the price of star­dom in Tinseltown’s Gold­en Age.
A woman with dark curly hair wearing a black dress, smiling as she holds a telephone receiver.
In Praise Of

Why I love Joan Crawford’s performance in Daisy Kenyon

by Justine Smith

Otto Preminger’s 1947 love tri­an­gle with a post­war twist sees the Hol­ly­wood star at her bristling best.