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Trailers

This teaser for Twin Peaks Season 3 is the best thing you’ll see today

by Dan Einav

It is hap­pen­ing again.
Monochrome portrait of a man with curly hair and a serious expression, set against a blurred background.
In Praise Of

How Eraserhead exposed the nightmarish heart of Middle America

by Joel Blackledge

Released 40 years ago, David Lynch’s lo-fi mas­ter­piece is as weird and unset­tling as ever.
A man in a black leather jacket and a patterned scarf stands in front of a crowd of silhouetted figures.
Incoming

Denis Villeneuve is directing a remake of David Lynch’s Dune

by Dan Einav

The Arrival and Blade Run­ner 2049 direc­tor is work­ing on a remake of Frank Herbert’s hard SF epic.
Close-up of a person's face playing the piano, with hands visible on the keyboard.
If You Like...

How Blue Velvet reflects the voyeuristic gaze of Rear Window

by Tom Watchorn

Para­noia, mys­tery and moral ambi­gu­i­ty abound in David Lynch and Alfred Hitchcock’s masterpieces.
A woman with dark curly hair wearing a revealing costume gestures dramatically, a pentagram pendant visible on her chest.
Review

Blue Velvet (1986)

by David Jenkins

David Lynch’s peek behind the cur­tain of small­town USA remains as beau­ti­ful and unnerv­ing as ever.

5
Anticipation
5
Enjoyment
5
In Retrospect
Moody close-up of a man's face, with dramatic lighting casting shadows. His expression is stern, and he appears to be focused on something off-camera.
Film Music

David Lynch’s Lost Highway soundtrack is returning to vinyl

by Lara C Cory

The Trent Reznor-pro­duced score is being reis­sued for the fist time in 20 years.
A woman in a sparkling black outfit stands before a grand piano, with a man playing the piano behind her.
In Praise Of

The seductive, subversive sound of David Lynch’s Blue Velvet

by Stephen Puddicombe

Explor­ing the director’s use and manip­u­la­tion of music in his 30-year-old masterpiece.
Two people, a man and a woman, sitting close together and looking intently at each other.
Review

Mysterious Skin

by David Jenkins

Gregg Ara­ki has aban­doned his rough-around-the-edges exploita­tion style in favour of the dream-like tex­tures of David Lynch.

1
Anticipation
3
Enjoyment
3
In Retrospect