116 results found
by Charles Bramesco
Two of cinema’s most iconic monsters square off in Adam Wingard’s underwhelming IP crossover.
by Kambole Campbell
Media, memory and film history collide in Satoshi Kon’s time-bending story of a faded screen star.
by Hamish Calvert
Public screenings can be a safe space for LGBT+ people. But the uncertain future many cinemas now face could rob us of that.
The Spanish master’s 30-minute short is coming to UK cinemas next month.
by Rafa Sales Ross
Redford’s directorial debut holds its ground as one of cinema’s most moving explorations of loss and guilt.
by Adam Woodward
On Saturday 12 September, join in celebrating independent cinemas everywhere.
His first feature in six years chronicles the tensions between Orson Welles and Herman J Mankiewicz on Citizen Kane.
by Daniel Broadley
Guy Pearce’s amnesia-suffering, tattoo-covered protagonist is cinema’s ultimate unreliable narrator.
Daniel Craig’s 007 will return to brick-and-mortar cinemas in November, by gum.
by Matthew Mulcahy
As cinemas in the UK prepare to reopen, Matthew Mulcahy reflects on his formative experiences of watching films on the big screen.
Applies the Open Dyslexic font, designed to improve readability for individuals with dyslexia.
Applies a more readable font throughout the website, improving readability.
Underlines links throughout the website, making them easier to distinguish.
Adjusts the font size for improved readability.
Reduces animations and disables autoplaying videos across the website, reducing distractions and improving focus.
Reduces the colour saturation throughout the website to create a more soothing visual experience.
Increases the contrast of elements on the website, making text and interface elements easier to distinguish.