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A man and woman in a dark, moody setting, the man has a serious expression.
Festivals

Hit Man – first-look review

by Hannah Strong

Richard Lin­klater and Glen Pow­ell team up for a high­ly enter­tain­ing black com­e­dy about a mild-man­nered col­lege pro­fes­sor who becomes a fake hit man.
Greyscale portrait of an elderly man wearing glasses, with a serious expression.
Festivals

Ryuichi Sakamoto | Opus – first-look review

by Xuanlin Tham

The final per­for­mance of the late Japan­ese com­pos­er is cap­tured in stun­ning, heart-rend­ing detail by his son.
Big Burger restaurant interior with workers, menu boards, and retro-style decor.
Festivals

Sky Peals – first-look review

by Hannah Strong

A young man who feels dis­con­nect­ed from the world around him receives shock­ing news about his absent father in Moin Hus­sain’s mov­ing fea­ture debut.
Man in suit with face in hands, embracing woman in wedding dress.
Festivals

Priscilla – first-look review

by Hannah Strong

Sofia Cop­po­la turns her keen eye to mod­ern mythol­o­gy, adapt­ing Priscil­la Pres­ley’s mem­oir into a gor­geous, acute­ly sad com­ing-of-age drama.
Young person wearing a blue and grey striped hat and a blue winter coat, looking thoughtful.
Festivals

Evil Does Not Exist – first-look review

by Xuanlin Tham

Ryusuke Ham­aguchi’s eco­log­i­cal dra­ma about a small moun­tain vil­lage threat­ened by a new devel­op­ment is a haunt­ing, glacial depic­tion of the gulf between cap­i­tal­ism and environmentalism.
A well-dressed man holding a glass and smiling amidst a crowd in a dimly lit room.
Festivals

The Caine Mutiny Court-Martial – first-look review

by Hannah Strong

William Fried­kin’s final film sees Jason Clarke act as a reluc­tant naval lawyer in a high­ly irreg­u­lar case, attempt­ing to prove the inno­cence of a sailor accused of mutiny.
Silhouette of a person wearing a hat, photographing something through a camera lens, against a backdrop of city buildings.
Festivals

The Killer – first-look review

by Hannah Strong

David Finch­er and Se7en screen­writer Andrew Kevin Walk­er reteam for a thriller about an assas­sin whose bad day at the office has nasty ramifications.
Two young adults, a man and a woman, standing close together in a dimly lit setting with colourful lighting.
Festivals

The Beast – first-look review

by Hannah Strong

Across three time­lines, a pair of lovers find each oth­er again and again in Bertrand Bonel­lo’s ambi­tious, genre-defy­ing latest.
A masked person in a red and green costume holding a firearm in a blue-tinted setting.
Festivals

Aggro Dr1ft – first-look review

by Hannah Strong

Har­mo­ny Korine ush­ers in a new exper­i­men­tal tack with his pur­pose­ful­ly off-putting infra-red assas­sin film, which attempts to gam­i­fy cinema.
Two people embrace, a man and a woman, both smiling. The image is in black and white.
Festivals

Maestro – first-look review

by Hannah Strong

Bradley Coop­er’s much-fet­ed dra­ma about leg­endary com­pos­er and con­duc­tor Leonard Bern­stein proves an under­whelm­ing exer­cise in by-the-book bio­graph­i­cal drama.