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Man with grey beard and glasses operating a camera and filming equipment in a studio.
Incoming

Steven Spielberg’s Pentagon Papers movie gets incredible cast

by Little White Lies

Ali­son Brie and Michael Stuhlbarg join upcom­ing dra­ma The Papers.
Dark silhouettes of two large animals standing in a stormy, rainy environment with a car in the foreground, its headlights illuminating the scene.
In Praise Of

How The Lost World taught me that films can be cruel

by Josh Slater-Williams

A key death in Steven Spielberg’s 1997 sequel com­plete­ly altered my per­cep­tion of cinema.
Two men wearing military uniforms and suits standing before an American flag.
Incoming

Steven Spielberg and Tom Hanks are making a film about the Pentagon Papers

by Jack Godwin

The actor will star along­side Meryl Streep in polit­i­cal dra­ma The Post.
Silhouetted figure of a person walking alone down a dark, snowy alley; buildings and a Cinema sign visible in the background.
Obama Era Cinema

The Rule Book – Bridge of Spies and the shifting Constitutional battleground

by Sam Adams

Steven Spielberg’s spy dra­ma is an impor­tant reminder that being Amer­i­can is not a mat­ter of where you were born but what you believe.
Silhouetted figure of a person walking alone down a dark, snowy alley; buildings and a Cinema sign visible in the background.
Steven Spielberg

Who are Steven Spielberg’s greatest artistic muses?

by Victoria Luxford

Mark Rylance is the lat­est in a list of key col­lab­o­ra­tors who bring out the best in The Beard.
Vibrant, colourful illustration of a person wearing a hooded jacket with a fur trim, standing against a dark background.
Dreaming Big

Why War of the Worlds is the greatest blockbuster of the 21st century

by Adam Woodward

Steven Spielberg’s alien inva­sion epic offers a bold­ly per­son­al take on a con­tem­po­rary glob­al crisis.
Young person peering out of a car window, with a thoughtful expression on their face.
Review

The BFG

by Sophie Monks Kaufman

Steven Spiel­berg goes big with this mag­i­cal children’s sto­ry adap­ta­tion. But is it twist­ed enough for Roald Dahl?

4
Anticipation
4
Enjoyment
5
In Retrospect
Two blond-haired people, a young boy and a woman, standing outdoors on a dark night.
In Praise Of

How Close Encounters channels the wishful spirit of Pinocchio

by James Clarke

Steven Spielberg’s clas­sic sci-fi teach­es the impor­tance of hold­ing on to dreams.
Young person in green clothes standing in dimly lit doorway, dramatic lighting creates warm, orange glow.
Review

Close Encounters of the Third Kind (1977)

by David Jenkins

Don’t miss this new­ly restored director’s cut ver­sion of Steven Spielberg’s sci-fi opus.

4
Anticipation
4
Enjoyment
4
In Retrospect
Two men in coats standing in front of graffiti-covered wall, one pointing upward.
In Praise Of

In defence of Hook – Steven Spielberg’s grown-up ode to childhood

by James Clarke

Does the director’s take on JM Barrie’s clas­sic tale of arrest­ed devel­op­ment deserve its reputation?