Steven Spielberg and Tom Hanks are making a film… | Little White Lies

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Steven Spiel­berg and Tom Han­ks are mak­ing a film about the Pen­ta­gon Papers

07 Mar 2017

Words by Jack Godwin

Two men wearing military uniforms and suits standing before an American flag.
Two men wearing military uniforms and suits standing before an American flag.
The actor will star along­side Meryl Streep in polit­i­cal dra­ma The Post.

Tom Han­ks and Meryl Streep are set to star in Steven Spielberg’s The Post, a new dra­ma based on a script by Liz Han­nah about the Wash­ing­ton Post’s role in expos­ing the Pen­ta­gon Papers in 1971.

The Pen­ta­gon Papers includ­ed a clas­si­fied study about the Viet­nam War that uncov­ered unre­port­ed facts about the John­son administration’s esca­la­tion of bomb­ings and troop deploy­ment. It was revealed that the already unpop­u­lar war was in worse shape than the pub­lic realised, with the admin­is­tra­tion accused of lying to the Amer­i­can peo­ple and to con­gress about the conflict.

The Post’s Kay Gra­ham and Ben Bradlee played a piv­otal role in releas­ing these leaked doc­u­ments to the world, and chal­lenged the gov­ern­ment over their right to pub­lish them.

Bradlee also over­saw the pub­li­ca­tion of Bob Wood­ward and Carl Bernstein’s report­ing of the Water­gate scan­dal, which was par­tial­ly a con­se­quence of the Pen­ta­gon Papers, effec­tive­ly mak­ing The Post a pre­cur­sor to All the President’s Men.

This will mark the lat­est polit­i­cal dra­ma from a film­mak­er whose recent out­put has includ­ed Lin­coln and Bridge of Spies, both of which focused on pub­lic ser­vants fight­ing for jus­tice against a larg­er system.

It’s like­ly that rather than the film focus­ing on the Viet­nam War itself, we will see Bradlee and Graham’s strug­gle to main­tain their jour­nal­is­tic integri­ty against the might of the US government.

Spiel­berg adds The Post to an already busy sched­ule, and it could arrive as ear­ly as 2018 some­time after the release of Ready Play­er One, which is cur­rent­ly in post-production.

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