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A man sitting on the ground, hugging his knees in a forest setting. He appears pensive, with a serious expression on his face.
Festivals

All Dirt Roads Taste of Salt – first-look review

by Charles Bramesco

Raven Jack­son’s fea­ture debut announces a strik­ing visu­al tal­ent, fol­low­ing the sto­ry of a young wom­an’s life in rur­al Mississippi.
A black and white image showing a group of people queuing outside a shop window, some wearing suits or casual clothing.
Festivals

Celluloid Underground – first-look review

by David Jenkins

This fas­ci­nat­ing and melan­choly doc­u­men­tary sees an Iran­ian exile in Lon­don look­ing back to the stranger-than-fic­tion roots of his for­ma­tive cinephelia.
A woman sitting on a bed in a dimly lit, cosy bedroom with wooden furniture and curtains.
Festivals

The full BFI London Film Festival 2023 line-up has been announced

by Marina Ashioti

Yor­gos Lan­thi­mos’ Poor Things and Emer­ald Fennell’s Salt­burn are among the picks of this year’s bumper LFF crop.
Arid desert landscape with red rock formations, wooden signage, and a person standing near a telephone booth.
Incoming

An Asteroid City exhibition is landing in London

by Robyn Quick

Wes Ander­son fans can tour orig­i­nal props and minia­tures before catch­ing a bite in a retro ​’50s-style diner.
Aerial view of a cityscape with high-rise buildings, green spaces, and a cloudy sky.

The silence and the fury of Steve McQueen’s Grenfell

by Sophie Monks Kaufman

The artist, film­mak­er and activist has pro­duced one of his most pow­er­ful works ever in this metic­u­lous 24-minute sur­vey of a Lon­don crime scene.
Smiling woman with curly blonde hair against a red background.
Festivals

Everything old is new again: archival cinema at London Short Film Festival

by Tahney Fosdike

Archival films and footage pre­sent­ed a rich oppor­tu­ni­ty for film­mak­ers and cura­tors to explore con­tem­po­rary themes and events at this year’s festival.
Man in white shirt and woman in purple dress embracing in hotel room.
Review

Magic Mike’s Last Dance

by Hannah Strong

Mike Lane swaps Mia­mi for Lon­don in this frus­trat­ing­ly under­whelm­ing and unsexy threequel.

5
Anticipation
3
Enjoyment
2
In Retrospect
A woman wearing a beige top sits at a desk in a room with indoor plants and a window.
What's On

Beyond Interpretation: How a new crop of American films embody our paranoid times

by Chris Cassingham

A new sea­son at Lon­don’s ICA exam­ines the con­tem­po­rary social and polit­i­cal state of the Land of the Free.
Two women asleep on a blue patterned bedspread, smiling contentedly.
Festivals

Strong women, dysfunctional families and a sentient car at the 2022 London Korean Film Festival

by Emma Curzon

A well-curat­ed selec­tion of gen­res and themes made for a diverse and fas­ci­nat­ing pro­gramme at this year’s festival.
Man in black t-shirt holding woman in red dress, intimate moment against blurred room background.
Incoming

Channing Tatum gyrates back into our hearts in the trailer for Magic Mike’s Last Dance

by Charles Bramesco

Steven Soder­bergh directs the third install­ment of the male-strip­ping saga as Mike brings his tal­ents to London.