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Two men operating a camera on a film set, wearing winter clothing and standing next to equipment.
Incoming

Robert Eggers is prepping his next film, a 10th-century Viking epic

by Charles Bramesco

The Light­house direc­tor is reunit­ing with Willem Dafoe and DoP Jarin Blaschke for The Northman.
Mature man with a long beard and curly hair in a thoughtful expression against a dark background.

A real-life lighthouse keeper breaks down The Lighthouse

by Adam Woodward

Chris Foulds, who worked on 32 light­hous­es between 1971 – 1989, gives his thoughts on Robert Eggers’ mar­itime odyssey.
An oil painting portrayal of a pensive, bearded man with a pipe and a contemplative expression, set against a shadowy, abstract background with muted green and yellow tones.
Interviews

Willem Dafoe: ‘I stopped eating lobster on this film’

by Adam Woodward

The screen leg­end on going full seadog in Robert Eggers’ para­noid fan­ta­sia, The Lighthouse.
Two men in heavy knit jumpers and caps standing against a bleak, grey background.
Review

The Lighthouse

by Elena Lazic

Robert Pat­tin­son and Willem Dafoe take a bru­tal tum­ble into the abyss in Robert Eggers’ mono­chrome nightmare.

4
Anticipation
5
Enjoyment
5
In Retrospect
Monochrome image of a person drinking from a bottle
Incoming

Descend into madness with the first trailer for The Lighthouse

by Charles Bramesco

Willem Dafoe and Robert Pat­tin­son star as two salty sea dogs in Robert Eggers’ fol­low-up to The Witch.
A person in a white garment and black jacket standing on a hill overlooking a settlement in a rugged, mountainous landscape.
Festivals

The seven best films from the 51st Cannes Directors’ Fortnight

by Ed Frankl

Meli­na León’s Song With­out a Name and Robert Eggers’ The Light­house were among our high­lights of this year’s Quinzaine.
Monochrome image of a person drinking from a bottle
Festivals

The Lighthouse – first look review

by Michael Leader

Robert Pat­tin­son and Willem Dafoe are on top form in Robert Eggers’ stark mar­itime nightmare.
Dark, rustic interior with wooden beams; group of people sitting around a table, lit by lamps and a central fire
Long Read

God’s country? How The Witch recalls America’s Puritanical past

by Mark Asch

Robert Eggers’ film pro­vides an evoca­tive reminder of the anx­i­eties, fears and ear­ly reli­gious beliefs that shaped the New World.
Three women wearing traditional medieval dresses and headdresses, standing in a dimly lit interior setting.
Review

The Witch

by Sophie Monks Kaufman

Some­thing wicked this way comes… Robert Eggers’ New Eng­land folk tale is steeped in mag­ic and menace.

4
Anticipation
4
Enjoyment
4
In Retrospect
Reclining figure in peaceful purple seascape, with distant ships and rocky cliffs.
Interviews

Robert Eggers: ‘The voices of the dead talk a lot louder to my imagination’

by Adam Woodward

The Witch puts in an ear­ly bid to be crowned 2016’s scari­est film. Meets its director.