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Interviews

Thelma Schoonmaker: ‘Powell left a little furnace burning inside of me’

by Lillian Crawford

Ahead of the BFI’s landmark Powell & Pressburger retrospective, the legendary film editor speaks about her relationship with Michael Powell, the process of restoring film, and how Powell & Pressburger influenced Killers of the Flower Moon.
Festivals

Chasing Chasing Amy – first-look review

by Soma Ghosh

Sav Rodgers weaves personal and pop culture history together as he unpacks the legacy of Kevin Smith’s 1997 romantic comedy.
Festivals

Baltimore – first-look review

by David Jenkins

Imogen Poots shines in this angular, fragmented portrait of English rose-turned-firebrand activist Rose Dugdale from Irish filmmakers Joe Lawlor and Christine Molloy.
Festivals

All Dirt Roads Taste of Salt – first-look review

by Charles Bramesco

Raven Jackson’s feature debut announces a striking visual talent, following the story of a young woman’s life in rural Mississippi.
Festivals

Celluloid Underground – first-look review

by David Jenkins

This fascinating and melancholy documentary sees an Iranian exile in London looking back to the stranger-than-fiction roots of his formative cinephelia.
Festivals

The full BFI London Film Festival 2023 line-up has been announced

by Marina Ashioti

Yorgos Lanthimos’ Poor Things and Emerald Fennell’s Saltburn are among the picks of this year’s bumper LFF crop.
In Praise Of

Exploring Ousmane Sembène’s activist cinema at 100

by Henry Roberts

A new BFI season highlights the incredible cinematic legacy of Senegalese filmmaker Ousmane Sembène, who saw film as a tool to bring power to the people.

Why watch Film on Film?

by Lillian Crawford

The BFI’s first annual Film on Film festival aims to celebrate and educate on the wonders of celluloid, from nitrate and 35mm to 3D.
Festivals

Queer people are stronger together at BFI Flare 2023

by Emma Curzon

This year’s celebration of queer cinema emphasised the power of community and inclusivity.
Busting the Bias

Busting the Bias presents a myth-shattering collection of shorts from Disabled filmmakers

by Meg Fozzard

Now in its second year, the BFI’s moving-image showcase centres Disabled filmmaking talent and their vital stories.

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