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Two blonde individuals, a woman in a white shirt and a man in a red jumper, gazing intently at the camera.
Festivals

Knife + Heart – first look review

by Manuela Lazic

A thriller set in the 1970s world of Parisian porn tries to intellectualise its seedy story, but misses the mark.
Young woman in a purple jumper resting her head on her arms, looking pensive.
Festivals

Burning – first look review

by David Jenkins

This monumental new work from South Korean director Lee Chang-dong was well worth the eight-year wait.
Two young children, a boy and a girl, seated on a wooden crate against a dilapidated wall. The boy has dark curly hair and is wearing a blue jacket, while the girl has straight hair and is dressed in a striped top and trousers.
Festivals

Capernaum – first look review

by Sophie Monks Kaufman

Nadine Labaki’s Lebanon-set fable reveals the everyday heartbreak of child poverty.
A large dalmatian dog lying on an examination table in a veterinary clinic, with a veterinarian standing beside it.
Festivals

Dogman – first look review

by Adam Woodward

Matteo Garrone returns to the crime-stained streets of southern Italy for his latest social realist parable.
Anime scene with two young boys, one in white clothes falling through the sky, the other reaching up towards him against a bright blue sky with fluffy white clouds.
Festivals

Mirai – first look review

by Michael Leader

This delightful Japanese animé is one of the highlights of this year’s Directors’ Fortnight programme.
A young woman with curly hair wearing a yellow coat standing on the steps of an aeroplane.
Festivals

Whitney – first look review

by David Jenkins

Kevin Macdonald offers a rich and revealing glance back at the life of troubled pop sensation Whitney Houston.
Young person in orange top standing near tree with lost dog poster
Festivals

Under the Silver Lake – first look review

by David Jenkins

Andrew Garfield adopts the role of pop culture gumshoe in David Robert Mitchell’s eccentric LA noir.
Young woman with long, dark hair looking serious.
Festivals

Asako I & II – first look review

by David Jenkins

This poignant treatise on love at first sight is one of the best films in the 2018 Cannes competition line-up.
A middle-aged man with a stern expression, wearing a dark coat and scarf, in a crowd.
Festivals

At War – first look review

by Ella Kemp

Cannes darling Stephane Brizé returns with a trudging, cacophonous insight into the guts of industrial activism.
A man in a navy jumper intently examining a miniature architectural model on a table.
Festivals

The House That Jack Built – first look review

by Sophie Monks Kaufman

Lars von Trier, provocateur at large, returns to the fray with a mad, bad and dangerous serial killer opus.