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Crowded group of people dressed in revealing costumes and dancing in a dimly lit room.
Festivals

Climax – first look review

by Adam Woodward

It’s party time in Gaspar Noé’s latest about a dance ensemble’s dizzying descent into hell.
Two people, a man and a woman, walking together down a cobbled street in a European city. The man wears a green military-style jacket and a hat, while the woman wears a green jacket over a checked shirt. The surroundings suggest an old town setting.
Festivals

Leave No Trace – first look review

by David Jenkins

Debra Granik’s long-awaited follow-up to Winter’s Bone is a hushed masterpiece.
Group of armed people in green military uniforms and red headscarves in an urban setting.
Festivals

Girls of the Sun – first look review

by Adam Woodward

Eva Husson’s timely ode to female resistance and survival sees an all-female Kurdish battalion take on ISIS.
Shirtless person with curly hair holding a gun while sitting on a bed with colourful bedding.
Festivals

L’Ange – first look review

by Sophie Monks Kaufman

Luis Ortega’s portrait of a real-life Argentinian serial killer makes for a fascinating character study.
Close-up of a man's face with eyes closed, appearing to be asleep or resting.
Festivals

Sauvage – first look review

by Ella Kemp

This passionate debut from Camille Vidal-Naquet boldly challenges our perceptions of male sex workers.
Woman in orange dress and jacket, performing on stage with colourful lighting.
Festivals

Ash is Purest White – first look review

by Adam Woodward

China’s foremost auteur Jia Zhangke returns with a stirring and constantly surprising social critique.
Raised hand silhouette against black background.
Festivals

Image Book – first look review

by David Jenkins

Obscure doesn’t even begin to cover the intractable delights of the latest cine-sortie from Jean-Luc Godard.
Two smiling people embracing in an office setting with bookshelves and artwork.
Festivals

Sorry Angel – first look review

by David Jenkins

This eloquent and expressive gay romance from Christophe Honoré is one of the director’s finest achievements.
Two people, a man and a woman, wearing sunglasses and standing together in a crowded urban setting, captured in a black and white photograph.
Festivals

Summer (Leto) – first look review

by Sophie Monks Kaufman

This shapeless, drama-free dirge through the rock scene in 1980s Leningrad has no place in the Cannes competition.
A pensive woman with a serious expression gazes through a window, with another figure visible in the background.
Festivals

Cold War – first look review

by David Jenkins

This miniature monochrome epic from Pawel Pawlikowski is a extraordinary piece of cinematic craftsmanship.