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Several men wearing traditional Islamic headwear stand in front of ornate buildings.
Festivals

Boy from Heaven – first-look review

by Charles Bramesco

A power struggle begins after the death of the grand imam at a prestigious Cairo university in Tarik Saleh’s conventional drama.
A grey donkey with large ears stands in a grassy field, wearing a garland of carrots around its neck.
Festivals

EO – first-look review

by Mark Asch

A donkey in a travelling circus grapples with cruel fate in Jerzy Skolimowski’s strangely captivating drama.
A woman with curly dark hair, wearing a red jacket and a cream-coloured scarf, standing in a desert landscape.
Festivals

Enys Men – first-look review

by David Jenkins

Mark Jenkin’s follow-up to 2019’s beloved Bait is the haunting tale of lonely botanist that offers audiovisual thrills a‑plenty.
Three people, a man, a woman, and a boy, sitting together outdoors on a bench, smiling.
Festivals

One Fine Morning – first-look review

by David Jenkins

Léa Seydoux plays a struggling single mother in a drama that’s not to Mia Hansen-Løve’s usual lofty standards.
A woman in a fancy dress, wearing a sparkling crown and ornate necklace, holding a white gloved hand near her face against a countryside backdrop.
Festivals

Corsage – first-look review

by Caitlin Quinlan

Marie Kreutzer’s brilliant portrait of a woman on the brink is a refreshing take on the often tedious period drama concept.
Elderly man and woman sitting on a park bench, autumn leaves around them.
Festivals

Armageddon Time – first-look review

by Hannah Strong

A young boy navigates family and friendship during a time of social upheaval in James Gray’s tender semi-autobiographical latest.
Two people, a woman and a child, embracing in a grassy field with mountains and trees in the background.
Festivals

The Eight Mountains – first-look review

by Rafa Sales Ross

Felix van Groeningen and Charlotte Vandermeersch’s is a poignant study of the friendship between two young men across four decades.
Two people, a man and a woman, standing outside a building. The man wears a khaki jacket, while the woman wears a black jumper. They appear to be in a rural or outdoor setting.
Festivals

God’s Creatures – first-look review

by David Jenkins

Emily Watson and Paul Mescal enter into a battle of mother-son wills in this gorgeously-mounted but unoriginal Irish thriller.
A young girl with dark hair wearing a black coat, standing by a window and looking contemplative.
Festivals

Tchaikovsky’s Wife – first-look review

by Mark Asch

Kirill Serebrennikov focuses on the relationship between one of Russia’s greatest composers and his adoring, but unloved, partner.
Colourful people in a park, man in vibrant floral shirt, woman with blue hair and piercings, person in black holding another person.
Festivals

Final Cut – first-look review

by David Jenkins

Michel Hazanavicius comes up short in his underpowered remake of Shinichirou Ueda’s zom-com, One Cut of the Dead